A dazzling story of obsessive love emerges in Cynthia Zarin's luminous new book inspired and inhabited by the title character of Nabokov's novel Ada, or Ardor: A Family Chronicle, who was the lifelong love of her half brother, Van. These electric poems are set in a Nabokovian landscape of memory in which real places, people, and things-the exploration of the Hudson River, Edwardian London, sunflowers, Chekhov, Harlem, decks of cards, the death of Solzhenitsyn, morpho butterflies-collide with the speaker's own protean tale of desire and loss.
With a string of brilliant contemporary sonnets as its spine, the book is a headlong display of mastery and sorrow: in the opening poem, "Birch, " the poet writes "Abide with me, arrive / at its skinned branches, its arms pulled / from the sapling .
A dazzling story of obsessive love emerges in Cynthia Zarin's luminous new book inspired and inhabited by the title character of Nabokov's novel Ada, or Ardor: A Family Chronicle, who was the lifelong love of her half brother, Van. These electric poems are set in a Nabokovian landscape of memory in which real places, people, and things-the exploration of the Hudson River, Edwardian London, sunflowers, Chekhov, Harlem, decks of cards, the death of Solzhenitsyn, morpho butterflies-collide with the speaker's own protean tale of desire and loss.
With a string of brilliant contemporary sonnets as its spine, the book is a headlong display of mastery and sorrow: in the opening poem, "Birch, " the poet writes "Abide with me, arrive / at its skinned branches, its arms pulled / from the sapling .