Switch II - Much Ado About Spanking. Switch, #2
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- FormatePub
- ISBN8231742943
- EAN9798231742943
- Date de parution09/05/2025
- Protection num.pas de protection
- Infos supplémentairesepub
- ÉditeurWalzone Press
Résumé
The adventures of full-time college student and part-time Dominatrix/switch Felicia Culbertson continue in this second volume of the Switch series. Now in a serious relationship with Joe Guthrie, the Dominant she met some months before and who brought out her own submissive side, she discovers her new partner has a submissive alter ego she didn't even know he possessed - but even so, submission Joe-style would tax the nerves of even the most patient Domme and it almost always leaves her wondering exactly who's on Top at any given moment, him or her.
With Joe's support Felicia is ready to step back from her off-campus livelihood and face her final semester of college head-on, concentrating on academics and doing her best to catch up on all the experiences she missed out on while she made a living as "Lady Antonia." But she's at the age for some growing pains as well and when she successfully auditions for the part of Katharine in her college's production of Shakespeare's The Taming of the Shrew, she finds herself leading lady to a young actor as handsome as Joe, but even more obnoxious than the character Petruchio.
Both he and the actress playing Katharine's sibling Bianca become smitten with her, and let her know it. How far would "too far" be in leading "Petruchio" and "Bianca" on, enjoying a little lighthearted romantic, erotic D/s pony-play like a proper college girl should, and yet still remaining committed to Joe??"who, by the way, winds up being thrown into a few incidents and accidents of his own that challenge his relationship to Felicia? Which Shakespearean maxim will prove to apply best to the couple, all's well that ends well, or that life's a poor player that struts and frets his hour upon the stage and is heard no more? There's only one way to find out: open the book, turn the page, and...
With Joe's support Felicia is ready to step back from her off-campus livelihood and face her final semester of college head-on, concentrating on academics and doing her best to catch up on all the experiences she missed out on while she made a living as "Lady Antonia." But she's at the age for some growing pains as well and when she successfully auditions for the part of Katharine in her college's production of Shakespeare's The Taming of the Shrew, she finds herself leading lady to a young actor as handsome as Joe, but even more obnoxious than the character Petruchio.
Both he and the actress playing Katharine's sibling Bianca become smitten with her, and let her know it. How far would "too far" be in leading "Petruchio" and "Bianca" on, enjoying a little lighthearted romantic, erotic D/s pony-play like a proper college girl should, and yet still remaining committed to Joe??"who, by the way, winds up being thrown into a few incidents and accidents of his own that challenge his relationship to Felicia? Which Shakespearean maxim will prove to apply best to the couple, all's well that ends well, or that life's a poor player that struts and frets his hour upon the stage and is heard no more? There's only one way to find out: open the book, turn the page, and...
The adventures of full-time college student and part-time Dominatrix/switch Felicia Culbertson continue in this second volume of the Switch series. Now in a serious relationship with Joe Guthrie, the Dominant she met some months before and who brought out her own submissive side, she discovers her new partner has a submissive alter ego she didn't even know he possessed - but even so, submission Joe-style would tax the nerves of even the most patient Domme and it almost always leaves her wondering exactly who's on Top at any given moment, him or her.
With Joe's support Felicia is ready to step back from her off-campus livelihood and face her final semester of college head-on, concentrating on academics and doing her best to catch up on all the experiences she missed out on while she made a living as "Lady Antonia." But she's at the age for some growing pains as well and when she successfully auditions for the part of Katharine in her college's production of Shakespeare's The Taming of the Shrew, she finds herself leading lady to a young actor as handsome as Joe, but even more obnoxious than the character Petruchio.
Both he and the actress playing Katharine's sibling Bianca become smitten with her, and let her know it. How far would "too far" be in leading "Petruchio" and "Bianca" on, enjoying a little lighthearted romantic, erotic D/s pony-play like a proper college girl should, and yet still remaining committed to Joe??"who, by the way, winds up being thrown into a few incidents and accidents of his own that challenge his relationship to Felicia? Which Shakespearean maxim will prove to apply best to the couple, all's well that ends well, or that life's a poor player that struts and frets his hour upon the stage and is heard no more? There's only one way to find out: open the book, turn the page, and...
With Joe's support Felicia is ready to step back from her off-campus livelihood and face her final semester of college head-on, concentrating on academics and doing her best to catch up on all the experiences she missed out on while she made a living as "Lady Antonia." But she's at the age for some growing pains as well and when she successfully auditions for the part of Katharine in her college's production of Shakespeare's The Taming of the Shrew, she finds herself leading lady to a young actor as handsome as Joe, but even more obnoxious than the character Petruchio.
Both he and the actress playing Katharine's sibling Bianca become smitten with her, and let her know it. How far would "too far" be in leading "Petruchio" and "Bianca" on, enjoying a little lighthearted romantic, erotic D/s pony-play like a proper college girl should, and yet still remaining committed to Joe??"who, by the way, winds up being thrown into a few incidents and accidents of his own that challenge his relationship to Felicia? Which Shakespearean maxim will prove to apply best to the couple, all's well that ends well, or that life's a poor player that struts and frets his hour upon the stage and is heard no more? There's only one way to find out: open the book, turn the page, and...