Prof. Robert Stewart is a retired clandestine operative who was recruited, while a student at U. C. Berkeley, into a special program for humans with special abilities. He holds a DSc in Astronomy from Berkeley, and an Honorary Doctorate in World Religions from Provident University in Delaware. His fields of expertise are Martial Arts, child extraction from cults, world religions, science, and the Occult.
Musician was his deep cover or camouflage life. Prof. Robert Stewart is a multi-instrumentalist (saxophones, piano, flute, drum, vocals, etc.), composer, and producer. His two major label albums ("The Force" and "In the Gutta") were for Quincy Jones and Qwest/Warner Bros. records. He is known for his unique - personal sound and remarkably inventive improvisations declares Los Angeles Times journalist Bill Kohlhaase, as the lead tenor saxophonist on the Pulitzer Prize winning "Blood on the Fields" by trumpeter Wynton Marsalis, and as the protegé of saxophonist Pharoah Sanders.
Jazz critic Jason Ankeny declared Stewart to be one of the most impressive jazz saxophonists to emerge at the end of the 20th century. Drummer Billy Higgins refers to Stewart as "perhaps the most important young artist to come along in decades." Prof. Robert Stewart is a retired clandestine operative who was recruited, while a student at U. C. Berkeley, into a special program for humans with Paranormal gifts.
His fields of expertise are child extraction from cults, world religions, science, and the Occult. Musician was his deep cover or camouflage life. Prof. Robert Stewart is a multi-instrumentalist (saxophones, piano, flute, drum, vocals, etc.), composer, and producer. His two major label albums ("The Force" and "In the Gutta") were for Quincy Jones and Qwest/Warner Bros. records. He is known for his unique - personal sound and remarkably inventive improvisations declares Los Angeles Times journalist Bill Kohlhaase, as the lead tenor saxophonist on the Pulitzer Prize winning "Blood on the Fields" by trumpeter Wynton Marsalis, and as the protegé of saxophonist Pharoah Sanders.
Jazz critic Jason Ankeny declared Stewart to be one of the most impressive jazz saxophonists to emerge at the end of the 20th century. Drummer Billy Higgins refers to Stewart as "perhaps the most important young artist to come along in decades
Musician was his deep cover or camouflage life. Prof. Robert Stewart is a multi-instrumentalist (saxophones, piano, flute, drum, vocals, etc.), composer, and producer. His two major label albums ("The Force" and "In the Gutta") were for Quincy Jones and Qwest/Warner Bros. records. He is known for his unique - personal sound and remarkably inventive improvisations declares Los Angeles Times journalist Bill Kohlhaase, as the lead tenor saxophonist on the Pulitzer Prize winning "Blood on the Fields" by trumpeter Wynton Marsalis, and as the protegé of saxophonist Pharoah Sanders.
Jazz critic Jason Ankeny declared Stewart to be one of the most impressive jazz saxophonists to emerge at the end of the 20th century. Drummer Billy Higgins refers to Stewart as "perhaps the most important young artist to come along in decades." Prof. Robert Stewart is a retired clandestine operative who was recruited, while a student at U. C. Berkeley, into a special program for humans with Paranormal gifts.
His fields of expertise are child extraction from cults, world religions, science, and the Occult. Musician was his deep cover or camouflage life. Prof. Robert Stewart is a multi-instrumentalist (saxophones, piano, flute, drum, vocals, etc.), composer, and producer. His two major label albums ("The Force" and "In the Gutta") were for Quincy Jones and Qwest/Warner Bros. records. He is known for his unique - personal sound and remarkably inventive improvisations declares Los Angeles Times journalist Bill Kohlhaase, as the lead tenor saxophonist on the Pulitzer Prize winning "Blood on the Fields" by trumpeter Wynton Marsalis, and as the protegé of saxophonist Pharoah Sanders.
Jazz critic Jason Ankeny declared Stewart to be one of the most impressive jazz saxophonists to emerge at the end of the 20th century. Drummer Billy Higgins refers to Stewart as "perhaps the most important young artist to come along in decades
