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Reflections on the painting and sculpture of the Greeks
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- Nombre de pages170
- FormatePub
- ISBN978-3-7528-8629-0
- EAN9783752886290
- Date de parution06/02/2020
- Protection num.Digital Watermarking
- Taille353 Ko
- Infos supplémentairesepub
- ÉditeurEDITION G.
Résumé
To the Greek climate we owe the production of Taste , and from thence it spread at length over all the politer world. Every invention, communicated by foreigners to that nation, was but the feed of what it became afterwards, changing both its nature and size in a country, chosen, as Plato [1] says, by Minerva, to be inhabited by the Greeks, as productive of every kind of genius.
But this Taste was not only original among the Greeks, but seemed also quite peculiar to their country: it seldom went abroad without loss; and was long ere it imparted its kind influences to more distant climes.
It was, doubtless, a stranger to the northern zones, when Painting and Sculpture, those offsprings of Greece, were despised there to such a degree, that the most valuable pieces of Corregio served only for blinds to the windows of the royal stables at Stockholm.
It was, doubtless, a stranger to the northern zones, when Painting and Sculpture, those offsprings of Greece, were despised there to such a degree, that the most valuable pieces of Corregio served only for blinds to the windows of the royal stables at Stockholm.
To the Greek climate we owe the production of Taste , and from thence it spread at length over all the politer world. Every invention, communicated by foreigners to that nation, was but the feed of what it became afterwards, changing both its nature and size in a country, chosen, as Plato [1] says, by Minerva, to be inhabited by the Greeks, as productive of every kind of genius.
But this Taste was not only original among the Greeks, but seemed also quite peculiar to their country: it seldom went abroad without loss; and was long ere it imparted its kind influences to more distant climes.
It was, doubtless, a stranger to the northern zones, when Painting and Sculpture, those offsprings of Greece, were despised there to such a degree, that the most valuable pieces of Corregio served only for blinds to the windows of the royal stables at Stockholm.
It was, doubtless, a stranger to the northern zones, when Painting and Sculpture, those offsprings of Greece, were despised there to such a degree, that the most valuable pieces of Corregio served only for blinds to the windows of the royal stables at Stockholm.
