The year is 1904. I pleasure desperate men whose anatomy is so blessed that it has become a curse. When I break the spell, it's explosive. My name is Quentin Fournier. Disinherited by my family, I signed up for work on the Panama Canal. My talent for giving huge men pleasure soon becomes legendary. I get the fever in the Panama Heat, but I never suspected love could be in the cards. The publishers discovered this new version of Peter's adventure tale among some personal documents he kept at his best friend's flower shop in Burbank, CA.
It introduces Quentin in New Orleans and takes the reader on two sexual adventures in the Vieux Carré before he embarks on his true adventure to Panama and the Culebra Cut. It turns out the journey was not as voluntary as the earlier version would lead the reader to believe. This early work of erotic fiction was written by the author in the summer of 1957. The story draws partly from his early memories of Panama, when his father moved the family to the Culebra Cut.
Penis size was an obsession for Peter. Enduring pain for another's pleasure is the overarching theme of this work, whereby the act of giving oneself to another is the goal, not the orgasms, which are mere side effects. Peter himself had a reputation for being extraordinarily well endowed. In this story, the narrative focuses on Quentin Fournier, a man with a less than average endowment. Friends remarked that Peter lost many potential love interests because of his large penis.
Dale Clark, who appears later in the story, is likely a narrative self portrait of the author. Sadly, no one like Quentin could be identified in Peter's life. The anatomically compatible couple living out their years together in San Francisco at the end of the story was pure fiction. Peter never found a lasting love.
The year is 1904. I pleasure desperate men whose anatomy is so blessed that it has become a curse. When I break the spell, it's explosive. My name is Quentin Fournier. Disinherited by my family, I signed up for work on the Panama Canal. My talent for giving huge men pleasure soon becomes legendary. I get the fever in the Panama Heat, but I never suspected love could be in the cards. The publishers discovered this new version of Peter's adventure tale among some personal documents he kept at his best friend's flower shop in Burbank, CA.
It introduces Quentin in New Orleans and takes the reader on two sexual adventures in the Vieux Carré before he embarks on his true adventure to Panama and the Culebra Cut. It turns out the journey was not as voluntary as the earlier version would lead the reader to believe. This early work of erotic fiction was written by the author in the summer of 1957. The story draws partly from his early memories of Panama, when his father moved the family to the Culebra Cut.
Penis size was an obsession for Peter. Enduring pain for another's pleasure is the overarching theme of this work, whereby the act of giving oneself to another is the goal, not the orgasms, which are mere side effects. Peter himself had a reputation for being extraordinarily well endowed. In this story, the narrative focuses on Quentin Fournier, a man with a less than average endowment. Friends remarked that Peter lost many potential love interests because of his large penis.
Dale Clark, who appears later in the story, is likely a narrative self portrait of the author. Sadly, no one like Quentin could be identified in Peter's life. The anatomically compatible couple living out their years together in San Francisco at the end of the story was pure fiction. Peter never found a lasting love.
