SOLDES
Jusqu'à -70% sur une sélection d'articles*
One with the Music. Cape Breton Step Dance Tradition and Transmission
Par :Formats :
Disponible dans votre compte client Decitre ou Furet du Nord dès validation de votre commande. Le format ePub est :
- Compatible avec une lecture sur My Vivlio (smartphone, tablette, ordinateur)
- Compatible avec une lecture sur liseuses Vivlio
- Pour les liseuses autres que Vivlio, vous devez utiliser le logiciel Adobe Digital Edition. Non compatible avec la lecture sur les liseuses Kindle, Remarkable et Sony
, qui est-ce ?Notre partenaire de plateforme de lecture numérique où vous retrouverez l'ensemble de vos ebooks gratuitement
Pour en savoir plus sur nos ebooks, consultez notre aide en ligne ici
C'est si simple ! Lisez votre ebook avec l'app Vivlio sur votre tablette, mobile ou ordinateur :
- Nombre de pages304
- FormatePub
- ISBN978-1-77206-030-0
- EAN9781772060300
- Date de parution01/10/2015
- Protection num.Digital Watermarking
- Taille9 Mo
- Infos supplémentairesepub
- ÉditeurCape Breton University Press
Résumé
Swedish-born traditional dancer and researcher Mats Melin has worked and performed extensively in the Scottish Highlands, the Hebrides, Orkney and Shetland, in their schools and communities promoting Scottish traditional dance. He has also taught and performed in Sweden, Canada, USA, Russia and New Zealand. Mats has a vast knowledge of all aspects of the Scottish traditional dance scene, but specializes in Cape Breton step dancing.
One With the Music is informed, in part, by Melin's PhD research on transmission practices-how the tradition and steps of generations of dancers in Cape Breton get passed on to subsequent generations.
His research gives us insight not only into the processes of transmission, but also into the complex ways dance and music in Cape Breton are deeply ingrained in the island's culture. In this book, the home, classroom and square-dance contexts-and, to some extent, concerts-are examined and analyzed following years of interviews and participation.
His research gives us insight not only into the processes of transmission, but also into the complex ways dance and music in Cape Breton are deeply ingrained in the island's culture. In this book, the home, classroom and square-dance contexts-and, to some extent, concerts-are examined and analyzed following years of interviews and participation.
