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Moufflou, and other stories
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- Nombre de pages40
- FormatePub
- ISBN859-65--4790249-2
- EAN8596547902492
- Date de parution28/06/2026
- Protection num.Digital Watermarking
- Taille2 Mo
- Infos supplémentairesepub
- ÉditeurGOOD PRESS
Résumé
Moufflou, and Other Stories gathers Ouida's shorter fiction into a volume that displays her characteristic blend of sentiment, moral drama, and vivid social observation. The title story, centered on a dog of remarkable loyalty, exemplifies her gift for investing animal life with emotional and ethical significance, while the accompanying tales move through scenes of European society, poverty, devotion, and loss.
Stylistically, the collection belongs to the late Victorian tradition of ornate yet highly readable prose, balancing melodramatic intensity with a sharp awareness of class, cruelty, and compassion. Ouida, the pen name of Maria Louise Ramé, was one of the most popular and controversial literary figures of the nineteenth century. Known for her cosmopolitan settings, passionate rhetoric, and outspoken concern for injustice, she wrote fiction that often challenged complacent respectability.
Her sympathy for the vulnerable-whether children, the poor, or animals-strongly informs this collection, and her own independent life on the Continent helps explain the international atmosphere and emotional urgency of these stories. This volume is especially recommended to readers interested in Victorian short fiction, animal studies, and the literature of feeling. Moufflou, and Other Stories offers more than pathos: it reveals Ouida's serious moral imagination and her enduring ability to turn compassion into art.
Stylistically, the collection belongs to the late Victorian tradition of ornate yet highly readable prose, balancing melodramatic intensity with a sharp awareness of class, cruelty, and compassion. Ouida, the pen name of Maria Louise Ramé, was one of the most popular and controversial literary figures of the nineteenth century. Known for her cosmopolitan settings, passionate rhetoric, and outspoken concern for injustice, she wrote fiction that often challenged complacent respectability.
Her sympathy for the vulnerable-whether children, the poor, or animals-strongly informs this collection, and her own independent life on the Continent helps explain the international atmosphere and emotional urgency of these stories. This volume is especially recommended to readers interested in Victorian short fiction, animal studies, and the literature of feeling. Moufflou, and Other Stories offers more than pathos: it reveals Ouida's serious moral imagination and her enduring ability to turn compassion into art.
