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King Lear's Wife; The Crier by Night; The Riding to Lithend; Midsummer-Eve; Laodice and Danaë
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- Nombre de pages106
- FormatePub
- ISBN859-65--4732406-5
- EAN8596547324065
- Date de parution16/09/2022
- Protection num.Digital Watermarking
- Taille379 Ko
- Infos supplémentairesepub
- ÉditeurDIGICAT
Résumé
In 'King Lear's Wife; The Crier by Night; The Riding to Lithend; Midsummer-Eve; Laodice and Danaë, ' Gordon Bottomley presents a collection of plays that delve into the intricacies of human emotions, familial bonds, and societal norms. His literary style combines lyrical poetry with dramatic dialogue, evoking the metaphorical depths behind each character's plight. Thematically, Bottomley's works resonate with the complexities of love, betrayal, and redemption often found in Shakespearean narratives, yet he takes bold strides to explore these themes through a modern lens, making the ancient seem refreshingly relevant and poignant.
Gordon Bottomley (1874-1948) was an English playwright and poet, whose diverse experience as a writer came from a background steeped in the artistic movements of his time. His journey through literature led him to examine the lives of isolated, often overlooked characters, paralleling his own struggles with identity and artistic expression. Bottomley's fascination with Shakespearean drama, combined with his interest in the metaphysical, culminates in this collection, reflecting both personal and universal dilemmas.
This collection is a compelling read for those who appreciate the richness of character-driven narratives and the emotional resonance of poetic language. Literature enthusiasts, theatrical practitioners, and scholars alike will find Bottomley's work not only enlightening but also a celebration of the human experience-a must-have addition to any literary collection.
Gordon Bottomley (1874-1948) was an English playwright and poet, whose diverse experience as a writer came from a background steeped in the artistic movements of his time. His journey through literature led him to examine the lives of isolated, often overlooked characters, paralleling his own struggles with identity and artistic expression. Bottomley's fascination with Shakespearean drama, combined with his interest in the metaphysical, culminates in this collection, reflecting both personal and universal dilemmas.
This collection is a compelling read for those who appreciate the richness of character-driven narratives and the emotional resonance of poetic language. Literature enthusiasts, theatrical practitioners, and scholars alike will find Bottomley's work not only enlightening but also a celebration of the human experience-a must-have addition to any literary collection.
