Inspector Alleyn 3-Book Collection 8 - Death at the Dolphin, Hand in Glove, Dead Water - E-book - ePub

Edition en anglais

Note moyenne 
Ngaio Marsh - Inspector Alleyn 3-Book Collection 8 - Death at the Dolphin, Hand in Glove, Dead Water.
The eighth volume in a set of omnibus editions presenting the complete run of 32 Inspector Alleyn mysteries. HAND IN GLOVEThe April Fool's Day was... Lire la suite
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Résumé

The eighth volume in a set of omnibus editions presenting the complete run of 32 Inspector Alleyn mysteries. HAND IN GLOVEThe April Fool's Day was a roaring success for all, it seemed - except for poor Mr Cartell who ended up in the ditch - for ever. Then there was the case of Mr Percival Pyke Period's letter of condolence, sent before the body was found - not to mention the family squabbles. It's all a puzzling crime for Superintendent Alleyn. DEAD WATERTimes are good in the Cornish village of Portcarrow, as hundreds flock to taste the healing waters of Pixie Falls.
When Miss Emily Pride inherits this celebrated land, she wants to put an end to the villagers' exploitation of miracle cures, especially Miss Elspeth Costs's gift shop. But someone puts an end to Miss Cost, and Roderick Alleyn finds himself literally on the spot. DEATH AT THE DOLPHINThe bombed-out Dolphin Theatre is given to Peregrine Jay by a mysterious oil millionaire, who also gives him a glove that belonged to Shakespeare to display in the dockside theatre.
But then a murder takes place, a boy is attacked, and the glove is stolen. Inspector Roderick Alleyn doesn't think oil and water are a good mix.

Caractéristiques

  • Date de parution
    16/01/2014
  • Editeur
  • ISBN
    978-0-00-753142-4
  • EAN
    9780007531424
  • Format
    ePub
  • Nb. de pages
    768 pages
  • Caractéristiques du format ePub
    • Pages
      768
    • Protection num.
      Contenu protégé

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À propos de l'auteur

Biographie de Ngaio Marsh

Dame Ngaio Marsh was born in New Zealand in 1895 and died in February 1982. She wrote over 30 detective novels and many of her stories have theatrical settings, for Ngaio Marsh's real passion was the theatre. She was both an actress and producer and almost single-handedly revived the New Zealand public's interest in the theatre. It was for this work that the received what she called her 'damery' in 1966.

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