Impressions of America

Par : Oscar Wilde
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  • Nombre de pages13
  • FormatePub
  • ISBN978-87-26-59885-8
  • EAN9788726598858
  • Date de parution02/03/2022
  • Protection num.Digital Watermarking
  • Taille266 Ko
  • Infos supplémentairesepub
  • ÉditeurSAGA Egmont

Résumé

"One is impressed in America, but not favourably impressed, by the inordinate size of everything. The country seems to try to bully one into a belief in its power by its impressive bigness." In 1881 Oscar Wilde boarded the "Arizona" and sailed to New York to embark on a year-long lecture tour. In 'Impressions of America' he examines the cultural differences between America and Britain. He notes, for instance, that the Americans aren't necessarily well-dressed but comfortably dressed.
He argues that the American youth is more acceptive of new ideas because their education is more practical, and he recounts how unimpressed he was with Niagara Falls and the ugly yellow protective wear he had to put on. Like Charles Dickens' 'American Notes for General Circulation' from some forty years prior, this essay is both entertaining and thought-provoking. Oscar Wilde (1854-1900) was an Irish playwright, novelist, essayist, and poet, famous for 'The Picture of Dorian Gray' and 'The Importance of Being Earnest' to name a couple.
He died in Paris at the age of 46. The Importance of Being Earnest is Oscar Wilde's most popular and enduring play. Poking fun at the ridiculousness of human nature, especially that of the Victorian elite, it is both incredibly clever and undeniably silly. It has been performed and made into films and for television many times, most recently in the 2002 film starring Colin Firth, Reese Witherspoon and Judi Dench.
"One is impressed in America, but not favourably impressed, by the inordinate size of everything. The country seems to try to bully one into a belief in its power by its impressive bigness." In 1881 Oscar Wilde boarded the "Arizona" and sailed to New York to embark on a year-long lecture tour. In 'Impressions of America' he examines the cultural differences between America and Britain. He notes, for instance, that the Americans aren't necessarily well-dressed but comfortably dressed.
He argues that the American youth is more acceptive of new ideas because their education is more practical, and he recounts how unimpressed he was with Niagara Falls and the ugly yellow protective wear he had to put on. Like Charles Dickens' 'American Notes for General Circulation' from some forty years prior, this essay is both entertaining and thought-provoking. Oscar Wilde (1854-1900) was an Irish playwright, novelist, essayist, and poet, famous for 'The Picture of Dorian Gray' and 'The Importance of Being Earnest' to name a couple.
He died in Paris at the age of 46. The Importance of Being Earnest is Oscar Wilde's most popular and enduring play. Poking fun at the ridiculousness of human nature, especially that of the Victorian elite, it is both incredibly clever and undeniably silly. It has been performed and made into films and for television many times, most recently in the 2002 film starring Colin Firth, Reese Witherspoon and Judi Dench.
Oscar Wilde
Oscar Wilde est né à Dublin, en Irlande. Son père est chirurgien, sa mère est poétesse et traductrice d'auteurs français (Dumas et Lamartine). Il fait ses études au Trinity College de Dublin puis à Oxford, en Angleterre. Grâce à son élégance et à sa vivacité d'esprit, il devient vite un auteur très apprécié en Grande-Bretagne, mais aussi en France où il est salué par les milieux littéraires. Ses poésies, ses contes, ses histoires, son roman ("Le Portrait de Dorian Gray") et ses pièces de théâtre - dont l'une "Salomé" est écrite en français, est créée par Sarah Bernhardt - assurent son succès. Il est alors reconnu comme le chef de file de ce que l'on a appelé "le culte esthétique" : extrême raffinement, amour exclusif des belles choses, attitude détachée. Mais sa vie bascule en 1895 ; lorsqu'il est condamné à deux ans de travaux forcés dans une Angleterre victorienne très puritaine. Refusant de fuir, il purge sa peine et sort brisé du bagne. Il est désormais un homme ruiné, exclu de la société. Il finit misérablement sa vie à Paris où il meurt le 30 novembre 1900, à 46 ans d'une méningite. Ses derniers mots, dans une chambre d'hôtel au décor miteux (hôtel d'Alsace, 13, rue des Beaux-Arts à Paris) auraient été : "Ou c'est ce papier peint qui disparaît, ou c'est moi".
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