SOLDES
Jusqu'à -70% sur une sélection d'articles*
If I Only Had a Brain: Scarecrows in Film and TV
Par :Formats :
Disponible dans votre compte client Decitre ou Furet du Nord dès validation de votre commande. Le format ePub est :
- Compatible avec une lecture sur My Vivlio (smartphone, tablette, ordinateur)
- Compatible avec une lecture sur liseuses Vivlio
- Pour les liseuses autres que Vivlio, vous devez utiliser le logiciel Adobe Digital Edition. Non compatible avec la lecture sur les liseuses Kindle, Remarkable et Sony
, qui est-ce ?Notre partenaire de plateforme de lecture numérique où vous retrouverez l'ensemble de vos ebooks gratuitement
Pour en savoir plus sur nos ebooks, consultez notre aide en ligne ici
- FormatePub
- ISBN978-1-393-55026-6
- EAN9781393550266
- Date de parution05/11/2020
- Protection num.pas de protection
- Infos supplémentairesepub
- ÉditeurRelay Publishing
Résumé
In this journal you will find an assortment of wonderful writing and beautiful images-from the creepy, unsettling revenge horror film that was made for television The Dark Night of the Scarecrow, to an urban nightmarish ghetto-style Oz with a Motown flavour in The Wiz, from long lost obscurities such as the Buster Keaton silent film The Scarecrow and its relative Puritan Passions to every incarnation of one of Batman's most feared members of his rogue's gallery Dr.
Jonathan Crane-it's all in here! Powered by essays and critical analysis, the journal is also loaded with production history, never before seen pictures from various films and in-depth interviews with people involved with the movies covered. Spawning from the Melbourne, Australia based film collective Cinemaniacs, the whole concept of this journal is to ensure that readers embrace all kinds of movies (and television, as well as theatre!) by understanding that all genres and periods of cinematic art and achievement matter.
Jonathan Crane-it's all in here! Powered by essays and critical analysis, the journal is also loaded with production history, never before seen pictures from various films and in-depth interviews with people involved with the movies covered. Spawning from the Melbourne, Australia based film collective Cinemaniacs, the whole concept of this journal is to ensure that readers embrace all kinds of movies (and television, as well as theatre!) by understanding that all genres and periods of cinematic art and achievement matter.








