Michael Neal Morris is the author of Based on Imaginary Events, Release, Haiku, Etc., Music for Arguments, In Domestic News and other books. He has published a number of stories, poems, and essays both online and in print. He teaches Composition and Creative Writing at Eastfield College in Mesquite. He lives with his wife, children, and two snarky cats just outside the Dallas area.
Haiku, Etc
Par :Formats :
Disponible dans votre compte client Decitre ou Furet du Nord dès validation de votre commande. Le format ePub est :
- Compatible avec une lecture sur My Vivlio (smartphone, tablette, ordinateur)
- Compatible avec une lecture sur liseuses Vivlio
- Pour les liseuses autres que Vivlio, vous devez utiliser le logiciel Adobe Digital Edition. Non compatible avec la lecture sur les liseuses Kindle, Remarkable et Sony
, qui est-ce ?Notre partenaire de plateforme de lecture numérique où vous retrouverez l'ensemble de vos ebooks gratuitement
Pour en savoir plus sur nos ebooks, consultez notre aide en ligne ici
- FormatePub
- ISBN978-0-463-03564-1
- EAN9780463035641
- Date de parution12/07/2018
- Protection num.pas de protection
- Infos supplémentairesepub
- ÉditeurBluewater
Résumé
Haiku, Etc. takes a modern approach to haiku and its related forms, without losing sight of a variety of traditions. The book contains three sections. First, is "before me the black road curves, " which includes haiku, senryu, and tanka poems. Next comes a selection of three renga titled "crossings." Closing the book is a section titled "outline of distant trees, " a selection of eyeku (haiku written in response to pictures -- photos not included).
Instead of the tradition arrangement of poems by seasons, the author has elected to present most of the pieces in a reverse chronological order, allowing the readers to take their own journeys in and out of the images and events.
Instead of the tradition arrangement of poems by seasons, the author has elected to present most of the pieces in a reverse chronological order, allowing the readers to take their own journeys in and out of the images and events.















