Folly. Capulet, #6

Par : Marcus Hogan
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  • FormatePub
  • ISBN978-1-7644298-3-2
  • EAN9781764429832
  • Date de parution30/04/2026
  • Protection num.pas de protection
  • Infos supplémentairesepub
  • ÉditeurMarcus Hogan

Résumé

"Before Romeo met Juliet, their families met in Verona. It wasn't love at first sight." Welcome to the CAPULET series - a sprawling six-part prequel - an epic tale of ambition, passion, sacrifice and the brutal cost of revenge. Long before the tale of tragic love that defined a generation, the Capulet name was forged in the powder keg of 1434 France. Their ancestral saga is not merely a romance, but a high-stakes chronicle of loyalty, heroism, seductions and betrayals that will launch a blood-soaked feud that consumes more than one generation.
Two children in Lyon, Armand de Capulet and Ilaria Marchand, are promised at birth. But in a world of shifting power, their union becomes the flashpoint for a conflict that will force them to abandon innocence for the cold, calculated necessities of survival. Their story is told through the eyes of Marcel Poquelin, a sharp-tongued roguish musician who finds himself the unlikely chronicler of their remarkable rise.
Through Marcel's irreverent lens-whose favored exclamations are "Cupid's Balls!" and "Bite my bare ass!"-you'll witness the sometimes elegant, sometimes bawdy, yet often dangerous climb of two innocents, learning to navigate a ruthless elite world of excess. But as the Capulets rise, that world darkens. From the war-torn citadels of France to the hidden, hedonistic depths of Italy, Armand and Ilaria are drawn into a volatile web of faction rivalry, dooming curses and religious fanaticism.
And the moment they enter the walls of fair Verona, the might of two mercenary houses (Montecchi and Paris) await them. Both bristle with arrogance, appetites for power and pleasure, and a contempt for any but those of their factions. Both will stop at nothing to have their way in everything. Both see the naïve, newlywed Capulets as easy prey. CAPULET is the genesis of a time-honored tale told for the modern reader: elegant and poetic at times but also filled with grit and humor, through encounters that are often raw, provocative and relentlessly human.
1 fated pair. 3 mighty factions. 1 burning question: How did Romeo and Juliet's families come to be at each other's throats? But who among them will pay the ultimate sacrifice to make it so? As the seductions mount and body counts rise, every dark question is answered. Book 6 - Folly. After the loss of their second daughter, a heart-wrenching issue that will determine Rosaline's future threatens to divide the Capulets.
Armand's hasty vow, made to Friar Lorenzo on the night Rosaline was born-promising her life to the Church if Ilaria can be saved-has split their marriage. Unshakeable in his vow, Armand's called to France as Ilaria searches for a way to rescind it. Spurred on by the duplicitous Duchess de Paris, a plan is hatched to seek help from two allies in Rome. Yolanthe warns both men are ruthless, the price they'll impose may be more than Ilaria can pay.
But a familiar enemy also awaits Ilaria in Rome, as a chance encounter ignites a chain of brutal events that follow her home. Then fate imposes its own price for every vow, ambition and act of vengeance, as CAPULET explodes in a cataclysmic reckoning to reach its haunting conclusion.
I conceived the CAPULET project in Boston during the summer of '92 when I was producing my first Shakespeare (Romeo and Juliet), staged at the Huntington Theatre Studio and sold out before we opened. That was when the notion of a prequel was born that would reveal how the famous families came to be at each other's throats. Started at the end of the pandemic, the full story frame for CAPULET (all 6 books) was written over 4 years (writing 7 hours a day / 7 days a week - give or take just 5 or 6 days) and almost exclusively at Brisbane Square Library in Australia.
The finishing process of polishing and proofing all (completed part-time after my nest egg for funding had finally been exhausted) took me another year. And so ... it was done. For the trivial record, my first experience performing was in the primary school choir which led me to playing the guitar and a life long association with music. My first experience with Shakespeare however was as a punishment in my last year of high school.
I was given 'detention' for fighting (a bully was harassing a friend and though I'm no hero I intervened). The English Mistress had caught us locked together in (less than mortal) combat and during my detention 'made me' memorize the 'quality of mercy' monologue from The Merchant of Venice. It had to be 'word perfect' to avoid another stay. I recited it. She told me it wasn't word perfect, but said I was 'good' and would 'let me off' if I agreed to audition for the play.
I was shy, but didn't want another detention, so I did audition and miraculously offered the lead. That led me to a BA in Drama at the University of Queensland. UQ led to a BFA in Acting at Cornish College in the USA which led to specialized study at the National Shakespeare Conservatory in NY (closed after 9/11) and finally an MFA in Directing at Boston University. Along the way I practised equestrian skills, martial arts and ballet (classical jazz), became a professional fight choreographer and specialised in directing classics.
Within a year of returning to Australia I founded the Society of Australian Fight Directors and the Australian Performing Arts Conservatory. Fast forward 25 years and I embarked upon this project. I hope their tale moves you. I found CAPULET very moving to write. Forever YoursMarcus Hogan
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