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Émile Verhaeren. Illustrated

Par : Stefan Zweig
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  • Nombre de pages223
  • FormatePub
  • ISBN978-617-8705-78-7
  • EAN9786178705787
  • Date de parution29/10/2025
  • Protection num.pas de protection
  • Taille1 Mo
  • Infos supplémentairesepub
  • ÉditeurAsimis Books

Résumé

In this eloquent biographical study, Stefan Zweig pays tribute to Émile Verhaeren, the great Belgian poet whose visionary works captured the turmoil and aspirations of modern Europe. Written with the empathy and psychological depth that define all of Zweig's biographical portraits, Émile Verhaeren is both a celebration of poetic genius and a reflection on the spiritual power of art in an age of industrial and moral upheaval. Zweig traces Verhaeren's journey from his early Symbolist influences to his mature voice as a poet of human progress, labor, and collective destiny.
Through his verses, Verhaeren sought to reconcile the chaos of modernity with a passionate faith in humanity's creative spirit. For Zweig, he represents the artist as prophet - a man who embraced the noise and movement of the modern world yet transformed them into music and light. What emerges from Zweig's portrait is a vivid image of Verhaeren not merely as a poet of Belgium, but as a universal humanist.
His poetry, rich with compassion and visionary intensity, stands as a bridge between the mystical idealism of the nineteenth century and the restless energy of the twentieth. Zweig's prose mirrors the very qualities he admires in Verhaeren: warmth, clarity, and a reverence for the dignity of the human soul. Émile Verhaeren is more than a biography; it is a dialogue between two kindred spirits - the Austrian essayist and the Belgian poet - united by a shared belief in art's moral mission.
Through Zweig's luminous lens, Verhaeren's life becomes a testament to the enduring power of poetry to affirm hope amid the storms of modern civilization.
In this eloquent biographical study, Stefan Zweig pays tribute to Émile Verhaeren, the great Belgian poet whose visionary works captured the turmoil and aspirations of modern Europe. Written with the empathy and psychological depth that define all of Zweig's biographical portraits, Émile Verhaeren is both a celebration of poetic genius and a reflection on the spiritual power of art in an age of industrial and moral upheaval. Zweig traces Verhaeren's journey from his early Symbolist influences to his mature voice as a poet of human progress, labor, and collective destiny.
Through his verses, Verhaeren sought to reconcile the chaos of modernity with a passionate faith in humanity's creative spirit. For Zweig, he represents the artist as prophet - a man who embraced the noise and movement of the modern world yet transformed them into music and light. What emerges from Zweig's portrait is a vivid image of Verhaeren not merely as a poet of Belgium, but as a universal humanist.
His poetry, rich with compassion and visionary intensity, stands as a bridge between the mystical idealism of the nineteenth century and the restless energy of the twentieth. Zweig's prose mirrors the very qualities he admires in Verhaeren: warmth, clarity, and a reverence for the dignity of the human soul. Émile Verhaeren is more than a biography; it is a dialogue between two kindred spirits - the Austrian essayist and the Belgian poet - united by a shared belief in art's moral mission.
Through Zweig's luminous lens, Verhaeren's life becomes a testament to the enduring power of poetry to affirm hope amid the storms of modern civilization.
Stefan Zweig
Stefan Zweig voit le jour le 28 novembre 1881 dans une famille juive à Vienne. Après des études de philosophie et de littérature, le jeune homme part à la découverte du monde, lors de voyages au cours desquels il se lie avec le milieu des artistes et des intellectuels. Il parcourt l'Europe, l'Amérique, l'Afrique et s'emploie dès cette période à des activités rédactionnelles très variées (poésies, théâtre, nouvelles, traductions et biographies) qui le rendent vite réputé parmi les écrivains. L'accession d'Hitler au pouvoir et la propagation de l'antisémitisme en Autriche forcent Zweig à l'exil en 1934, retrouvant sa vie d'errance et de voyages. Désespéré par la situation politique et morale en Europe, Zweig se suicide le 22 février 1942 au Brésil, laissant derrière lui une oeuvre prolifique et inestimable dont on retiendra notamment " Vingt-quatre heures de la vie d'une femme ", " La Confusion des sentiments " ou encore " Le Joueur d'échecs ".
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