Death Takes a Wife - E-book - ePub

Edition en anglais

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The victims were predictable - the murderer was not... Classic crime from one of the greats of the Detection ClubSour, selfish and worth several millions,... Lire la suite
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Résumé

The victims were predictable - the murderer was not... Classic crime from one of the greats of the Detection ClubSour, selfish and worth several millions, Mrs French was just the kind of woman you'd expect to be murdered. And so, in due course, she was. Mrs Hoggett was the next to die - another murder predicted by all who, unfortunately, knew her well. Since there was no shortage of suspects, it was small wonder the killer eluded the law.
And then a lovely young woman came forth with a story of bigamy and blackmail so bizarre it had to be true. All that was needed for proof was yet another corpse...'Clever' New York Herald Tribune

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À propos de l'auteur

Biographie d'Anthony Gilbert

Anthony Gilbert was the pen name of Lucy Beatrice Malleson. Born in London, she spent all her life there, and her affection for the city is clear from the strong sense of character and place in evidence in her work. She published 69 crime novels, 51 of which featured her best known character, Arthur Crook, a vulgar London lawyer totally (and deliberately) unlike the aristocratic detectives, such as Lord Peter Wimsey, who dominated the mystery field at the time.
She also wrote more than 25 radio plays, which were broadcast in Great Britain and overseas. Her thriller The Woman in Red (1941) was broadcast in the United States by CBS and made into a film in 1945 under the title My Name is Julia Ross. She was an early member of the British Detection Club, which, along with Dorothy L. Sayers, she prevented from disintegrating during World War II. Malleson published her autobiography, Three-a-Penny, in 1940, and wrote numerous short stories, which were published in several anthologies and in such periodicals as Ellery Queen's Mystery Magazine and The Saint.
The short story 'You Can't Hang Twice' received a Queens award in 1946. She never married, and evidence of her feminism is elegantly expressed in much of her work.

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