Chris Wind writes literary prose and poetry. Two of her stories (from Particivision and other stories) were read on CBC Radio One; her poetry has appeared in numerous journals and anthologies, and one ("Luncheon on the Grass") was the motive poem for an exhibit by Brooks Bercovitch and Colton at the Galerie Schorer, Montreal; and her Soliloquies: the lady doth indeed protest has been performed as a theatrical work in Canada, the U.
S., and the UK. She was a panellist at the Canadian National Feminist Poetry Conference (1992) and featured in an article in The Montreal Gazette (1994). Lastly, she's listed in "Who's Who in Hell" (most likely for "Faith", "The Great Jump-Off", and Thus Saith Eve). She has a degree in Literature and has received eight Ontario Arts Council grants. She also writes issue-driven speculative fiction (pegtittle.com) and provocative comedy (jassrichards.com) and, altogether, has published over 30 books.
S., and the UK. She was a panellist at the Canadian National Feminist Poetry Conference (1992) and featured in an article in The Montreal Gazette (1994). Lastly, she's listed in "Who's Who in Hell" (most likely for "Faith", "The Great Jump-Off", and Thus Saith Eve). She has a degree in Literature and has received eight Ontario Arts Council grants. She also writes issue-driven speculative fiction (pegtittle.com) and provocative comedy (jassrichards.com) and, altogether, has published over 30 books.
