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Critique of Judgement
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- Nombre de pages444
- FormatePub
- ISBN978-3-98647-151-4
- EAN9783986471514
- Date de parution14/10/2021
- Protection num.Digital Watermarking
- Taille910 Ko
- Infos supplémentairesepub
- ÉditeurMario Huehne
Résumé
Critique of Judgement Immanuel Kant - In the Critique of Judgement (1790) Kant offers a penetrating analysis of our experience of the beautiful and the sublime, discussing the objectivity of taste, aesthetic disinterestedness, the relation of art and nature, the role of imagination, genius and originality, the limits of representation and the connection between morality and the aesthetic. He also investigates the validity of our judgements concerning the apparent purposiveness of nature with respect to the highest
interests of reason and enlightenment.
The work profoundly influenced the artists and writers of the classical and romantic period and the philosophy of Hegel and Schelling.
It has remained a central point of reference from Schopenhauer and Nietzsche through to phenomenology, hermeneutics, the Frankfurt School, analytical aesthetics and contemporary critical theory.
It has remained a central point of reference from Schopenhauer and Nietzsche through to phenomenology, hermeneutics, the Frankfurt School, analytical aesthetics and contemporary critical theory.
Critique of Judgement Immanuel Kant - In the Critique of Judgement (1790) Kant offers a penetrating analysis of our experience of the beautiful and the sublime, discussing the objectivity of taste, aesthetic disinterestedness, the relation of art and nature, the role of imagination, genius and originality, the limits of representation and the connection between morality and the aesthetic. He also investigates the validity of our judgements concerning the apparent purposiveness of nature with respect to the highest
interests of reason and enlightenment.
The work profoundly influenced the artists and writers of the classical and romantic period and the philosophy of Hegel and Schelling.
It has remained a central point of reference from Schopenhauer and Nietzsche through to phenomenology, hermeneutics, the Frankfurt School, analytical aesthetics and contemporary critical theory.
It has remained a central point of reference from Schopenhauer and Nietzsche through to phenomenology, hermeneutics, the Frankfurt School, analytical aesthetics and contemporary critical theory.
