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Creepy Archives Volume 4
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Disponible dans votre compte client Decitre ou Furet du Nord dès validation de votre commande. Le format Epub fixed layout protégé est :
- Compatible avec une lecture sur My Vivlio (smartphone, tablette, ordinateur)
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- Nombre de pages152
- FormatEpub fixed layout
- ISBN978-1-62115-448-8
- EAN9781621154488
- Date de parution14/07/2009
- Protection num.Adobe DRM
- Taille96 Mo
- Infos supplémentairesepub
- ÉditeurDark Horse Books
Résumé
Pulpy, smart, and scary, the stories in Creepy constituted some of the best shortform horror fiction ever told in comics. With legendary comics writer/editor Archie Goodwin both editing the magazine and crafting most of its storytelling, Creepy was at once a newsstand favorite with fright fans, and a vaunted showcase of fine comics art for serious fans of the art form. For decades, the only sources for these stories were the expensive collectible original issues.
Now Dark Horse is collecting all of the original material from the history of Creepy magazine into a hardcover archive library that is garnering rave reviews from fans and critics alike!* "... this superlatively packaged Creepy Archives hardcover is a fine dénouement for fans of EC and comics history." Boston Weekly Dig* Grab your bleeding glasses and crack open this fourth big volume, collecting Creepy issues #16#20."Since the stock is much finer than the authentic newsprint, visually, these pages are better than the originals, with moodly, dark blacks that punctuate the shock endings." Publishers Weekly
Now Dark Horse is collecting all of the original material from the history of Creepy magazine into a hardcover archive library that is garnering rave reviews from fans and critics alike!* "... this superlatively packaged Creepy Archives hardcover is a fine dénouement for fans of EC and comics history." Boston Weekly Dig* Grab your bleeding glasses and crack open this fourth big volume, collecting Creepy issues #16#20."Since the stock is much finer than the authentic newsprint, visually, these pages are better than the originals, with moodly, dark blacks that punctuate the shock endings." Publishers Weekly





















