Colour as a Means of Art. Being an Adaption of the Experience of Professors to the Practice of Amateurs
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- Nombre de pages731
- FormatePub
- ISBN406-4-06-618767-5
- EAN4064066187675
- Date de parution13/12/2019
- Protection num.Digital Watermarking
- Taille1 Mo
- Infos supplémentairesepub
- ÉditeurGOOD PRESS
Résumé
In "Colour as a Means of Art, " Frank Howard delves into the profound relationship between color and artistic expression, exploring its psychological and emotional ramifications. This insightful work weaves together theories from art history, psychology, and philosophy, employing a rich narrative style that balances academic rigor with accessible writing. Howard's meticulous analysis of color theory is situated within a broader literary context that includes celebrated artists and theorists, offering readers a comprehensive understanding of how color influences perception, moods, and artistic intention throughout various artistic movements.
Frank Howard, a distinguished scholar in visual arts, brings to this work both academic expertise and personal passion. His extensive background in art criticism and his own practice as a painter lend authenticity to his exploration of color. His encounters with influential modernists and extensive research in both contemporary and historical contexts illuminate his insights, allowing him to bridge the gap between theory and practice effectively.
Highly recommended for artists, art students, and enthusiasts alike, this book serves as both a scholarly resource and a creatively stimulating guide. Howard's articulate examination encourages readers to reconsider their engagement with color, transforming it into a powerful tool for artistic expression and a deeper appreciation for the visual arts.
Frank Howard, a distinguished scholar in visual arts, brings to this work both academic expertise and personal passion. His extensive background in art criticism and his own practice as a painter lend authenticity to his exploration of color. His encounters with influential modernists and extensive research in both contemporary and historical contexts illuminate his insights, allowing him to bridge the gap between theory and practice effectively.
Highly recommended for artists, art students, and enthusiasts alike, this book serves as both a scholarly resource and a creatively stimulating guide. Howard's articulate examination encourages readers to reconsider their engagement with color, transforming it into a powerful tool for artistic expression and a deeper appreciation for the visual arts.
In "Colour as a Means of Art, " Frank Howard delves into the profound relationship between color and artistic expression, exploring its psychological and emotional ramifications. This insightful work weaves together theories from art history, psychology, and philosophy, employing a rich narrative style that balances academic rigor with accessible writing. Howard's meticulous analysis of color theory is situated within a broader literary context that includes celebrated artists and theorists, offering readers a comprehensive understanding of how color influences perception, moods, and artistic intention throughout various artistic movements.
Frank Howard, a distinguished scholar in visual arts, brings to this work both academic expertise and personal passion. His extensive background in art criticism and his own practice as a painter lend authenticity to his exploration of color. His encounters with influential modernists and extensive research in both contemporary and historical contexts illuminate his insights, allowing him to bridge the gap between theory and practice effectively.
Highly recommended for artists, art students, and enthusiasts alike, this book serves as both a scholarly resource and a creatively stimulating guide. Howard's articulate examination encourages readers to reconsider their engagement with color, transforming it into a powerful tool for artistic expression and a deeper appreciation for the visual arts.
Frank Howard, a distinguished scholar in visual arts, brings to this work both academic expertise and personal passion. His extensive background in art criticism and his own practice as a painter lend authenticity to his exploration of color. His encounters with influential modernists and extensive research in both contemporary and historical contexts illuminate his insights, allowing him to bridge the gap between theory and practice effectively.
Highly recommended for artists, art students, and enthusiasts alike, this book serves as both a scholarly resource and a creatively stimulating guide. Howard's articulate examination encourages readers to reconsider their engagement with color, transforming it into a powerful tool for artistic expression and a deeper appreciation for the visual arts.