Ancient art of the province of Chiriqui, Colombia
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- Nombre de pages322
- FormatePub
- ISBN859-65--4722078-7
- EAN8596547220787
- Date de parution04/09/2022
- Protection num.Digital Watermarking
- Taille4 Mo
- Infos supplémentairesepub
- ÉditeurDIGICAT
Résumé
In "Ancient Art of the Province of Chiriqui, Colombia, " William Henry Holmes meticulously examines the rich artistic heritage of the Chiriquí region, revealing intricate details about the pre-Columbian cultures that once thrived there. Holmes employs a descriptive and analytical literary style, integrating ethnographic insights and archaeological observations to present a comprehensive overview of ceramics, figurines, and decorative motifs.
The book is contextualized within the broader narrative of Central American art history, providing a vital resource that connects the local artistry to regional trends and cultural practices across time. William Henry Holmes, an esteemed figure in American archaeology and a pioneer of the Smithsonian Institution, draws on his extensive fieldwork and his background in geology and art history to illuminate the importance of Chiriquí's artistic legacy.
His work is informed by a profound understanding of indigenous cultures, influenced by his dedication to preserving the fragile stories embedded in ancient artifacts and his escalating interest in cultural expressions that have shaped human history. This remarkable work is a must-read for scholars, art historians, and enthusiasts of pre-Columbian studies, as it not only showcases the aesthetic beauty of Chiriquí art but also encourages readers to appreciate the intricate narratives of human creativity and resilience that continue to resonate in contemporary culture.
The book is contextualized within the broader narrative of Central American art history, providing a vital resource that connects the local artistry to regional trends and cultural practices across time. William Henry Holmes, an esteemed figure in American archaeology and a pioneer of the Smithsonian Institution, draws on his extensive fieldwork and his background in geology and art history to illuminate the importance of Chiriquí's artistic legacy.
His work is informed by a profound understanding of indigenous cultures, influenced by his dedication to preserving the fragile stories embedded in ancient artifacts and his escalating interest in cultural expressions that have shaped human history. This remarkable work is a must-read for scholars, art historians, and enthusiasts of pre-Columbian studies, as it not only showcases the aesthetic beauty of Chiriquí art but also encourages readers to appreciate the intricate narratives of human creativity and resilience that continue to resonate in contemporary culture.
In "Ancient Art of the Province of Chiriqui, Colombia, " William Henry Holmes meticulously examines the rich artistic heritage of the Chiriquí region, revealing intricate details about the pre-Columbian cultures that once thrived there. Holmes employs a descriptive and analytical literary style, integrating ethnographic insights and archaeological observations to present a comprehensive overview of ceramics, figurines, and decorative motifs.
The book is contextualized within the broader narrative of Central American art history, providing a vital resource that connects the local artistry to regional trends and cultural practices across time. William Henry Holmes, an esteemed figure in American archaeology and a pioneer of the Smithsonian Institution, draws on his extensive fieldwork and his background in geology and art history to illuminate the importance of Chiriquí's artistic legacy.
His work is informed by a profound understanding of indigenous cultures, influenced by his dedication to preserving the fragile stories embedded in ancient artifacts and his escalating interest in cultural expressions that have shaped human history. This remarkable work is a must-read for scholars, art historians, and enthusiasts of pre-Columbian studies, as it not only showcases the aesthetic beauty of Chiriquí art but also encourages readers to appreciate the intricate narratives of human creativity and resilience that continue to resonate in contemporary culture.
The book is contextualized within the broader narrative of Central American art history, providing a vital resource that connects the local artistry to regional trends and cultural practices across time. William Henry Holmes, an esteemed figure in American archaeology and a pioneer of the Smithsonian Institution, draws on his extensive fieldwork and his background in geology and art history to illuminate the importance of Chiriquí's artistic legacy.
His work is informed by a profound understanding of indigenous cultures, influenced by his dedication to preserving the fragile stories embedded in ancient artifacts and his escalating interest in cultural expressions that have shaped human history. This remarkable work is a must-read for scholars, art historians, and enthusiasts of pre-Columbian studies, as it not only showcases the aesthetic beauty of Chiriquí art but also encourages readers to appreciate the intricate narratives of human creativity and resilience that continue to resonate in contemporary culture.
