AC/DC. Hell Ain't a Bad Place to Be

Par : Mick Wall
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  • Nombre de pages320
  • FormatePub
  • ISBN978-1-4091-1536-6
  • EAN9781409115366
  • Date de parution24/10/2012
  • Protection num.Adobe DRM
  • Infos supplémentairesepub
  • ÉditeurOrion

Résumé

Mick Wall penetrates the closed world of Aussie rock legends AC/DC. AC/DC moved to Britain from Sydney in 1975, and soon set up a residency at London's Marquee Club. Their short hair (including the odd mullet), loud rock and attitude chimed well with the lingering pub rock and soon-to-be punk crowd. They weren't really a band for guitar solos, and singer Bon Scott was the original bike-riding, speed-snorting, fighting man.
An ex-convict he lived life fast and short; he died in February 1980, just before BACK IN BLACK, their huge-selling album, took off and the second period of AC/DC (with Brian Johnson as lead vocalist) was ushered in. BACK IN BLACK has gone on to sell 45 million copies worldwide, and as the band have become a global phenomenon so their reclusiveness has increased. Mick Wall, the don of heavy metal writing, seeks to penetrate the wall around the Young brothers, and write the first authoritative, in-depth critical account of AC/DC.
Mick Wall penetrates the closed world of Aussie rock legends AC/DC. AC/DC moved to Britain from Sydney in 1975, and soon set up a residency at London's Marquee Club. Their short hair (including the odd mullet), loud rock and attitude chimed well with the lingering pub rock and soon-to-be punk crowd. They weren't really a band for guitar solos, and singer Bon Scott was the original bike-riding, speed-snorting, fighting man.
An ex-convict he lived life fast and short; he died in February 1980, just before BACK IN BLACK, their huge-selling album, took off and the second period of AC/DC (with Brian Johnson as lead vocalist) was ushered in. BACK IN BLACK has gone on to sell 45 million copies worldwide, and as the band have become a global phenomenon so their reclusiveness has increased. Mick Wall, the don of heavy metal writing, seeks to penetrate the wall around the Young brothers, and write the first authoritative, in-depth critical account of AC/DC.
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