A man made of money. Wealth, Greed, and Society: A Satirical Victorian Tale
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- Nombre de pages248
- FormatePub
- ISBN406-633--953579-4
- EAN4066339535794
- Date de parution10/07/2023
- Protection num.Digital Watermarking
- Taille2 Mo
- Infos supplémentairesepub
- ÉditeurGOOD PRESS
Résumé
In "A Man Made of Money, " Douglas William Jerrold delivers a sharp comedic critique of 19th-century notions surrounding wealth and social status. Through its engaging dialogue and lively characterization, the play explores themes of materialism and the often absurd lengths individuals will go to attain financial security and societal recognition. Jerrold's use of wit and satire, characteristic of the comedic tradition, enables a profound yet accessible examination of his era's moral dilemmas, reflecting the burgeoning industrial age's impact on personal relationships and values.
Jerrold, an influential figure in the Victorian literary scene, was known for his sharp social observations and witty commentary. His background as a successful playwright, journalist, and social reformer informed his narrative style and thematic choices, as he navigated the complexities of a rapidly changing society. Jerrold often drew upon his own experiences and the socio-economic realities of his time, providing a unique lens through which to critique the fabric of Victorian life.
This compelling play is a must-read for anyone interested in Victorian literature, social commentary, or the interplay between money and identity. Jerrold'Äôs rich text invites both scholarly analysis and personal reflection, making it a significant contribution to the canon of English drama that continues to resonate today.
Jerrold, an influential figure in the Victorian literary scene, was known for his sharp social observations and witty commentary. His background as a successful playwright, journalist, and social reformer informed his narrative style and thematic choices, as he navigated the complexities of a rapidly changing society. Jerrold often drew upon his own experiences and the socio-economic realities of his time, providing a unique lens through which to critique the fabric of Victorian life.
This compelling play is a must-read for anyone interested in Victorian literature, social commentary, or the interplay between money and identity. Jerrold'Äôs rich text invites both scholarly analysis and personal reflection, making it a significant contribution to the canon of English drama that continues to resonate today.
