A Book About the Theater. Exploring the Dramatic World: An In - Depth Look at Theater Culture and Literature
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- Nombre de pages2211
- FormatePub
- ISBN406-4-06-618875-7
- EAN4064066188757
- Date de parution13/12/2019
- Protection num.Digital Watermarking
- Taille3 Mo
- Infos supplémentairesepub
- ÉditeurGOOD PRESS
Résumé
In "A Book About the Theater, " Brander Matthews provides an insightful exploration of the dramatic arts, seamlessly intertwining critical analysis with a personal perspective that reflects the theatrical landscape of the late 19th and early 20th centuries. Matthews employs a clear, engaging prose style that invites both scholars and theater enthusiasts to delve into the intricacies of theatrical production, the evolution of the play, and the significance of dramatic expression in society.
With a keen eye for detail and an appreciation for cultural context, Matthews analyzes the role of the playwright, actor, and audience, grounding his work in the traditions of realism and romanticism that were pivotal to contemporary theater. Brander Matthews, known as the "father of American drama, " possessed a profound understanding of the theater world, shaped by his experiences as a critic, playwright, and educator.
His rich background, including his tenure at Columbia University and his close associations with pioneering figures in American theater, informed his comprehensive grasp of the medium's potential. Matthews was dedicated to elevating American drama, advocating for local playwrights, and exploring distinctive American themes, all of which resonate throughout this work. "A Book About the Theater" is essential for anyone interested in the history and development of the theatrical arts.
Matthews'Äô articulate commentary not only enhances the understanding of theater but also celebrates its transformative power in culture. This book serves as an invaluable resource for students, scholars, and theater aficionados alike, making a compelling case for the continued relevance of theatrical exploration.
With a keen eye for detail and an appreciation for cultural context, Matthews analyzes the role of the playwright, actor, and audience, grounding his work in the traditions of realism and romanticism that were pivotal to contemporary theater. Brander Matthews, known as the "father of American drama, " possessed a profound understanding of the theater world, shaped by his experiences as a critic, playwright, and educator.
His rich background, including his tenure at Columbia University and his close associations with pioneering figures in American theater, informed his comprehensive grasp of the medium's potential. Matthews was dedicated to elevating American drama, advocating for local playwrights, and exploring distinctive American themes, all of which resonate throughout this work. "A Book About the Theater" is essential for anyone interested in the history and development of the theatrical arts.
Matthews'Äô articulate commentary not only enhances the understanding of theater but also celebrates its transformative power in culture. This book serves as an invaluable resource for students, scholars, and theater aficionados alike, making a compelling case for the continued relevance of theatrical exploration.
In "A Book About the Theater, " Brander Matthews provides an insightful exploration of the dramatic arts, seamlessly intertwining critical analysis with a personal perspective that reflects the theatrical landscape of the late 19th and early 20th centuries. Matthews employs a clear, engaging prose style that invites both scholars and theater enthusiasts to delve into the intricacies of theatrical production, the evolution of the play, and the significance of dramatic expression in society.
With a keen eye for detail and an appreciation for cultural context, Matthews analyzes the role of the playwright, actor, and audience, grounding his work in the traditions of realism and romanticism that were pivotal to contemporary theater. Brander Matthews, known as the "father of American drama, " possessed a profound understanding of the theater world, shaped by his experiences as a critic, playwright, and educator.
His rich background, including his tenure at Columbia University and his close associations with pioneering figures in American theater, informed his comprehensive grasp of the medium's potential. Matthews was dedicated to elevating American drama, advocating for local playwrights, and exploring distinctive American themes, all of which resonate throughout this work. "A Book About the Theater" is essential for anyone interested in the history and development of the theatrical arts.
Matthews'Äô articulate commentary not only enhances the understanding of theater but also celebrates its transformative power in culture. This book serves as an invaluable resource for students, scholars, and theater aficionados alike, making a compelling case for the continued relevance of theatrical exploration.
With a keen eye for detail and an appreciation for cultural context, Matthews analyzes the role of the playwright, actor, and audience, grounding his work in the traditions of realism and romanticism that were pivotal to contemporary theater. Brander Matthews, known as the "father of American drama, " possessed a profound understanding of the theater world, shaped by his experiences as a critic, playwright, and educator.
His rich background, including his tenure at Columbia University and his close associations with pioneering figures in American theater, informed his comprehensive grasp of the medium's potential. Matthews was dedicated to elevating American drama, advocating for local playwrights, and exploring distinctive American themes, all of which resonate throughout this work. "A Book About the Theater" is essential for anyone interested in the history and development of the theatrical arts.
Matthews'Äô articulate commentary not only enhances the understanding of theater but also celebrates its transformative power in culture. This book serves as an invaluable resource for students, scholars, and theater aficionados alike, making a compelling case for the continued relevance of theatrical exploration.
