59 Glass Bridges
Par :Formats :
Disponible dans votre compte client Decitre ou Furet du Nord dès validation de votre commande. Le format ePub est :
- Compatible avec une lecture sur My Vivlio (smartphone, tablette, ordinateur)
- Compatible avec une lecture sur liseuses Vivlio
- Pour les liseuses autres que Vivlio, vous devez utiliser le logiciel Adobe Digital Edition. Non compatible avec la lecture sur les liseuses Kindle, Remarkable et Sony

Notre partenaire de plateforme de lecture numérique où vous retrouverez l'ensemble de vos ebooks gratuitement
Pour en savoir plus sur nos ebooks, consultez notre aide en ligne ici
- FormatePub
- ISBN978-1-926455-79-2
- EAN9781926455792
- Date de parution31/03/2017
- Protection num.Digital Watermarking
- Taille850 Ko
- Infos supplémentairesepub
- ÉditeurNeWest Press
Résumé
In 59 Glass Bridges, an unnamed narrator travels through a maze that is at once mutable and immutable: walls fall to vine-filled forests, hallways to rivers, bridges to lamp-lit boats. What remains is the desire to escape. He is led along his harrowing path by Willow, a mysterious figure who cajoles him and responds to questions in a winking sphinx-like manner, with answers that are often more baffling than clear.
Interspersed are the memories of the narrator, of his childhood and adolescence, and of his grandmother, a wise artist who at once pushes his creativity, while leaving him the freedom to craft his own journey. Playing with the imagery and landscapes reminiscent of Dante Alighieri's Divine Comedy, Steven Peters' debut reveals how pivotal moments in our lives give substance and shape to the labyrinths in our minds. In 59 Glass Bridges, an unnamed narrator travels through a maze that is at once mutable and immutable: walls fall to vine-filled forests, hallways to rivers, bridges to lamp-lit boats. What remains is the desire to escape.
He is led along his harrowing path by Willow, a mysterious figure who cajoles him and responds to questions in a winking sphinx-like manner, with answers that are often more baffling than clear. Interspersed are the memories of the narrator, of his childhood and adolescence, and of his grandmother, a wise artist who at once pushes his creativity, while leaving him the freedom to craft his own journey.
Playing with the imagery and landscapes reminiscent of Dante Alighieri's Divine Comedy, Steven Peters' debut reveals how pivotal moments in our lives give substance and shape to the labyrinths in our minds.
Interspersed are the memories of the narrator, of his childhood and adolescence, and of his grandmother, a wise artist who at once pushes his creativity, while leaving him the freedom to craft his own journey. Playing with the imagery and landscapes reminiscent of Dante Alighieri's Divine Comedy, Steven Peters' debut reveals how pivotal moments in our lives give substance and shape to the labyrinths in our minds. In 59 Glass Bridges, an unnamed narrator travels through a maze that is at once mutable and immutable: walls fall to vine-filled forests, hallways to rivers, bridges to lamp-lit boats. What remains is the desire to escape.
He is led along his harrowing path by Willow, a mysterious figure who cajoles him and responds to questions in a winking sphinx-like manner, with answers that are often more baffling than clear. Interspersed are the memories of the narrator, of his childhood and adolescence, and of his grandmother, a wise artist who at once pushes his creativity, while leaving him the freedom to craft his own journey.
Playing with the imagery and landscapes reminiscent of Dante Alighieri's Divine Comedy, Steven Peters' debut reveals how pivotal moments in our lives give substance and shape to the labyrinths in our minds.
In 59 Glass Bridges, an unnamed narrator travels through a maze that is at once mutable and immutable: walls fall to vine-filled forests, hallways to rivers, bridges to lamp-lit boats. What remains is the desire to escape. He is led along his harrowing path by Willow, a mysterious figure who cajoles him and responds to questions in a winking sphinx-like manner, with answers that are often more baffling than clear.
Interspersed are the memories of the narrator, of his childhood and adolescence, and of his grandmother, a wise artist who at once pushes his creativity, while leaving him the freedom to craft his own journey. Playing with the imagery and landscapes reminiscent of Dante Alighieri's Divine Comedy, Steven Peters' debut reveals how pivotal moments in our lives give substance and shape to the labyrinths in our minds. In 59 Glass Bridges, an unnamed narrator travels through a maze that is at once mutable and immutable: walls fall to vine-filled forests, hallways to rivers, bridges to lamp-lit boats. What remains is the desire to escape.
He is led along his harrowing path by Willow, a mysterious figure who cajoles him and responds to questions in a winking sphinx-like manner, with answers that are often more baffling than clear. Interspersed are the memories of the narrator, of his childhood and adolescence, and of his grandmother, a wise artist who at once pushes his creativity, while leaving him the freedom to craft his own journey.
Playing with the imagery and landscapes reminiscent of Dante Alighieri's Divine Comedy, Steven Peters' debut reveals how pivotal moments in our lives give substance and shape to the labyrinths in our minds.
Interspersed are the memories of the narrator, of his childhood and adolescence, and of his grandmother, a wise artist who at once pushes his creativity, while leaving him the freedom to craft his own journey. Playing with the imagery and landscapes reminiscent of Dante Alighieri's Divine Comedy, Steven Peters' debut reveals how pivotal moments in our lives give substance and shape to the labyrinths in our minds. In 59 Glass Bridges, an unnamed narrator travels through a maze that is at once mutable and immutable: walls fall to vine-filled forests, hallways to rivers, bridges to lamp-lit boats. What remains is the desire to escape.
He is led along his harrowing path by Willow, a mysterious figure who cajoles him and responds to questions in a winking sphinx-like manner, with answers that are often more baffling than clear. Interspersed are the memories of the narrator, of his childhood and adolescence, and of his grandmother, a wise artist who at once pushes his creativity, while leaving him the freedom to craft his own journey.
Playing with the imagery and landscapes reminiscent of Dante Alighieri's Divine Comedy, Steven Peters' debut reveals how pivotal moments in our lives give substance and shape to the labyrinths in our minds.