SOLDES
Jusqu'à -70% sur une sélection d'articles*
Dernière sortie
Exovede In The Darkroom
The very first collection celebrating her work, Exovede in the Darkroom is a series of responses, critical and poetic, to Métis experimental filmmaker Rhayne Vermette's visually explosive and materially intimate practice. It was while studying architecture that Vermette, primarily self-taught, fell into image making and storytelling. Her films are opulent collages of fiction, animation, documentary, reenactments, and divine interruption.
Invoking Vermette's two central influences-Louis Riel's "exovede" as outsider, and Carlo Mollino's "darkroom" as the psychic site of secluded experiment-the collection explores Vermette's powerful shorts that engage a number of 16mm collage practices, as well as her astounding feature film Ste. Anne, a work that mesmerized the film world internationally with the visually resplendent story of a return.
Contributors include Irene Bindi, Lawrence Bird, Janet Blatter, Stephen Broomer, Gwynne Fulton, José Sarmiento Hinojosa, Sky Hopinka, Joshua Minsoo Kim, Suzanne Morrissette, , Claudia Sicondolfo, Jennifer Smith. The very first collection celebrating her work, Exovede in the Darkroom is a series of responses, critical and poetic, to Métis experimental filmmaker Rhayne Vermette's visually explosive and materially intimate practice.
It was while studying architecture that Vermette, primarily self-taught, fell into image making and storytelling. Her films are opulent collages of fiction, animation, documentary, reenactments, and divine interruption. Invoking Vermette's two central influences-Louis Riel's "exovede" as outsider, and Carlo Mollino's "darkroom" as the psychic site of secluded experiment-the collection explores Vermette's powerful shorts that engage a number of 16mm collage practices, as well as her astounding feature film Ste.
Anne, a work that mesmerized the film world internationally with the visually resplendent story of a return.
Invoking Vermette's two central influences-Louis Riel's "exovede" as outsider, and Carlo Mollino's "darkroom" as the psychic site of secluded experiment-the collection explores Vermette's powerful shorts that engage a number of 16mm collage practices, as well as her astounding feature film Ste. Anne, a work that mesmerized the film world internationally with the visually resplendent story of a return.
Contributors include Irene Bindi, Lawrence Bird, Janet Blatter, Stephen Broomer, Gwynne Fulton, José Sarmiento Hinojosa, Sky Hopinka, Joshua Minsoo Kim, Suzanne Morrissette, , Claudia Sicondolfo, Jennifer Smith. The very first collection celebrating her work, Exovede in the Darkroom is a series of responses, critical and poetic, to Métis experimental filmmaker Rhayne Vermette's visually explosive and materially intimate practice.
It was while studying architecture that Vermette, primarily self-taught, fell into image making and storytelling. Her films are opulent collages of fiction, animation, documentary, reenactments, and divine interruption. Invoking Vermette's two central influences-Louis Riel's "exovede" as outsider, and Carlo Mollino's "darkroom" as the psychic site of secluded experiment-the collection explores Vermette's powerful shorts that engage a number of 16mm collage practices, as well as her astounding feature film Ste.
Anne, a work that mesmerized the film world internationally with the visually resplendent story of a return.
