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WOO! Strange Happenings at the Windmill and Other Tangential Rants
This book doesn't just document a music scene; it reminds you why you're still alive. WOO! gonzo style close orbit around a disparate collective of misfits, boomeranging through space, time, gigs, and major life events as it takes a deep dive into South London's underground music scene, where sweat drips from the ceiling, friendships are forged in the pit, and the world's noise is drowned out by something louder, stranger and more alive.
In this book Dave Thomson documents a raging culture war against musical mediocrity, political alienation, social cleansing and the brutality of neoliberal economics. He makes the connections and shines a light on how this has fuelled a creative explosion in south London giving life to some of the most era defining acts on the live circuit today. Part memoir, part cultural dispatch, part political rant, he documents the bands, the venues and a diversity of characters orbiting Brixton's Windmill and beyond; not as nostalgia, but as a living, breathing counterculture.
It's funny, furious and unexpectedly tender, capturing the visceral thrill of live music alongside sharp observations on power, crisis, community and how people find meaning when the world feels like it's coming apart. Since its release, WOO! has quietly become a cult underground favourite, passed hand-to-hand, read by musicians and scene insiders, and praised for the way it makes readers feel as much as what it says.
Five years on, many of the issues raised feel even more urgent, and its belief in music, friendship and shared spaces as forces for survival feel more indispensable than ever. For anyone who's ever felt saved by music, or found meaning at the front of a gig, this is already for you. WOO! is the kind of book that stays with you long after the noise fades.
In this book Dave Thomson documents a raging culture war against musical mediocrity, political alienation, social cleansing and the brutality of neoliberal economics. He makes the connections and shines a light on how this has fuelled a creative explosion in south London giving life to some of the most era defining acts on the live circuit today. Part memoir, part cultural dispatch, part political rant, he documents the bands, the venues and a diversity of characters orbiting Brixton's Windmill and beyond; not as nostalgia, but as a living, breathing counterculture.
It's funny, furious and unexpectedly tender, capturing the visceral thrill of live music alongside sharp observations on power, crisis, community and how people find meaning when the world feels like it's coming apart. Since its release, WOO! has quietly become a cult underground favourite, passed hand-to-hand, read by musicians and scene insiders, and praised for the way it makes readers feel as much as what it says.
Five years on, many of the issues raised feel even more urgent, and its belief in music, friendship and shared spaces as forces for survival feel more indispensable than ever. For anyone who's ever felt saved by music, or found meaning at the front of a gig, this is already for you. WOO! is the kind of book that stays with you long after the noise fades.
