SOLDES
Jusqu'à -70% sur une sélection d'articles*
Dernière sortie
The astounding crime on Torrington Road
William Gillette's The astounding crime on Torrington Road is a compact Edwardian crime narrative that blends sensation fiction, theatrical pacing, and early detective intrigue. Framed as an account of the so-called "Pentecost episode" within a larger criminal career, the book dwells on audacity, deception, and the dramatic unraveling of criminal design. Its title signals both reportage and melodrama, situating the work in a period when detective stories were evolving from Victorian mystery and stage sensation into more modern crime fiction.
Gillette's prose is brisk and scene-driven, with a marked sense of suspense shaped by revelation, performance, and carefully managed surprise. Gillette was not only a writer but one of the most influential theatrical figures of his generation, best remembered for his definitive stage portrayal of Sherlock Holmes. His deep familiarity with crime plotting, audience expectation, and dramatic structure clearly informs this work.
Writing at the intersection of theatre and popular fiction, he brought to prose the same instinct for tension, timing, and character display that made his stage adaptations so successful. This book will reward readers interested in the genealogy of detective and crime fiction, especially those drawn to transitional works between Victorian sensation and twentieth-century mystery. It is best recommended to admirers of Holmesian atmosphere, theatrical storytelling, and the elegant cunning of classic crime literature.
Gillette's prose is brisk and scene-driven, with a marked sense of suspense shaped by revelation, performance, and carefully managed surprise. Gillette was not only a writer but one of the most influential theatrical figures of his generation, best remembered for his definitive stage portrayal of Sherlock Holmes. His deep familiarity with crime plotting, audience expectation, and dramatic structure clearly informs this work.
Writing at the intersection of theatre and popular fiction, he brought to prose the same instinct for tension, timing, and character display that made his stage adaptations so successful. This book will reward readers interested in the genealogy of detective and crime fiction, especially those drawn to transitional works between Victorian sensation and twentieth-century mystery. It is best recommended to admirers of Holmesian atmosphere, theatrical storytelling, and the elegant cunning of classic crime literature.
