Nathan Dennis

Dernière sortie

Convivium

The Arts of Medieval Northern Africa

Since 2014, Convivium has revived the tradition of Seminarium Kondakovianum (1928-1940), a journal that hosted studies on the Art of Eastern and Western Europe in the Interwar period. In the first ten years, Convivium expanded to embrace art history and visual culture across the globe. Today it is a forum bringing together contributions from a wide range of disciplines and subject matters. The journal's field of inquiry is open to all cultures, regions, and periods of the premodern world (ca 300-1500 CE), their modern reception, and modernist afterlives.
The periodical tackles new critical approaches, discoveries, timely disputes in the discipline, and strives to provide a platform for international debates. Created to expand on a discourse interrupted by the totalitarian regimes of the twentieth century, Convivium has now become an experiential, open place where scholarly creativity has no boundaries, striving to systematically overcome prejudices, barriers, and historiographical myths.
Since 2014, Convivium has revived the tradition of Seminarium Kondakovianum (1928-1940), a journal that hosted studies on the Art of Eastern and Western Europe in the Interwar period. In the first ten years, Convivium expanded to embrace art history and visual culture across the globe. Today it is a forum bringing together contributions from a wide range of disciplines and subject matters. The journal's field of inquiry is open to all cultures, regions, and periods of the premodern world (ca 300-1500 CE), their modern reception, and modernist afterlives.
The periodical tackles new critical approaches, discoveries, timely disputes in the discipline, and strives to provide a platform for international debates. Created to expand on a discourse interrupted by the totalitarian regimes of the twentieth century, Convivium has now become an experiential, open place where scholarly creativity has no boundaries, striving to systematically overcome prejudices, barriers, and historiographical myths.

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