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The Art of the Renaissance Book
Ilaria Andreoli is scientific coordinator of the program"The library of art and archeology of Jacques Doucet : corpus, knowledge and networks"at the Institut National d'Histoire de l'Art (INHA) in Paris. She is a specialist in the history of engraving and book illustration, particularly in Renaissance Italy and France who obtained her PhD in the History of Modern Art at Ca' Foscari University, Venice and Université Lumière-Lyon 2).
Her research focuses on the circulation of iconographical models via the illustrated book, the status of reproduction, copying and forgery, and on the collecting of books and graphic arts between the 19e' and 20e' centuries. After numerous fellowships in international research centers including the Houghton Library, the Gulbenkian Foundation, the Villa i Tatti, the Library of Congress Dumbarton Oaks, the Huntington Library or the INHA itself, she was scientific coordinator of a digital humanities project at the Fondazione Giorgio Cini,Venice, on the collection of incunabula and ancient illustrated editions of the French 19"" c.
collector Victor Masséna, Prince of Essling on which she is preparing a book-length study. She has been teaching for many years the History and techniques of Book illustration at the University of Normandy (Caen) and is currently editor in chief of the journal"L'Illustrazione"(Florence, Olschki). Helena Szépe (Professor, University of South Florida) specializes in the art history of late medieval and Renaissance Europe, with special interest in the complex interactions of technology, culture, and art during the shift from manuscript production to print.
She is particularly interested in how embellishment of books can transform them into potent symbols and attributes of their owners. She has been awarded numerous research fellowships, including from Houghton Library, the Huntington Library, the Getty Research Center, the Gladys Krieble Delmas Foundation, the American Philosophical Society, and the American Council of Learned Societies. Herbook Venicellluminated.
Power and Painting inRenaissance Manuscripts (2018), examines how paintings in manuscripts marking patrician appointment to high office expressed a tension between selfless service and individual ambition, and it won the American Historical Association's Helen and Howard R. Marraro Book Prize, and the Renaissance Society of America's Gladys Kneble Delmas Foundation Book Prize. Szépeiscurrentlyresearchingbooksfornuns inRenaissanceVenice.She is co-editing a book with Chiara Ponchia, FedencaToniolo, and Gianmario Guidarelli on the monastery of Santa Croce della Giudecca, and is writing a monograph focused primarily on the illuminated manuscripts of Santa Maria delle Vergini, Venice, entitled The Ornament of Order.
Szépe's most recent article Fragmented and Forgotten examines the theories and practices of the collecting of manuscript leaves and cuttings in decorative arts museums and by the nineteenth-century artist and art historian Johann Anton Ramboux.
Her research focuses on the circulation of iconographical models via the illustrated book, the status of reproduction, copying and forgery, and on the collecting of books and graphic arts between the 19e' and 20e' centuries. After numerous fellowships in international research centers including the Houghton Library, the Gulbenkian Foundation, the Villa i Tatti, the Library of Congress Dumbarton Oaks, the Huntington Library or the INHA itself, she was scientific coordinator of a digital humanities project at the Fondazione Giorgio Cini,Venice, on the collection of incunabula and ancient illustrated editions of the French 19"" c.
collector Victor Masséna, Prince of Essling on which she is preparing a book-length study. She has been teaching for many years the History and techniques of Book illustration at the University of Normandy (Caen) and is currently editor in chief of the journal"L'Illustrazione"(Florence, Olschki). Helena Szépe (Professor, University of South Florida) specializes in the art history of late medieval and Renaissance Europe, with special interest in the complex interactions of technology, culture, and art during the shift from manuscript production to print.
She is particularly interested in how embellishment of books can transform them into potent symbols and attributes of their owners. She has been awarded numerous research fellowships, including from Houghton Library, the Huntington Library, the Getty Research Center, the Gladys Krieble Delmas Foundation, the American Philosophical Society, and the American Council of Learned Societies. Herbook Venicellluminated.
Power and Painting inRenaissance Manuscripts (2018), examines how paintings in manuscripts marking patrician appointment to high office expressed a tension between selfless service and individual ambition, and it won the American Historical Association's Helen and Howard R. Marraro Book Prize, and the Renaissance Society of America's Gladys Kneble Delmas Foundation Book Prize. Szépeiscurrentlyresearchingbooksfornuns inRenaissanceVenice.She is co-editing a book with Chiara Ponchia, FedencaToniolo, and Gianmario Guidarelli on the monastery of Santa Croce della Giudecca, and is writing a monograph focused primarily on the illuminated manuscripts of Santa Maria delle Vergini, Venice, entitled The Ornament of Order.
Szépe's most recent article Fragmented and Forgotten examines the theories and practices of the collecting of manuscript leaves and cuttings in decorative arts museums and by the nineteenth-century artist and art historian Johann Anton Ramboux.
