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Charles Willeford

Dernière sortie
Pick-Up
This underground classic of hard-boiled noir fiction follows two addiction-addled drifters as they struggle to make ends meet in the streets of 1950s California First published as an unheralded paperback original, Pick-Up is an authentic underground classic, an explosive bulletin from the urban underbelly of mid-1950s America. It was Charles Willeford's second novel, after a rough and wandering earlier life that had taken him from Depression-era hobo camps and soup kitchens to wartime battlefields.
The unblinking story of two lost and self-destructive drifters-a failed painter working as a counterman in a cheap diner and a woman in flight from domestic violence-trying to find a place for themselves in the back streets of San Francisco, Pick-Up is hardboiled writing at its nihilistic best: Willeford's preferred title for the book was Until I Am Dead. Its bleak vision of life beyond the edge is haunted by rape, racism, alcoholism, suicide, and inescapable poverty, yet shot through with a tenderness and compassion sustained against all odds in a society offering few breaks to its outcasts and misfits.
Pick-Up's many twists and violent turns culminate in an ending that continues to surprise, confirming it as what critic Woody Haut has called "a razor-sharp narrative that rips open the genre."
The unblinking story of two lost and self-destructive drifters-a failed painter working as a counterman in a cheap diner and a woman in flight from domestic violence-trying to find a place for themselves in the back streets of San Francisco, Pick-Up is hardboiled writing at its nihilistic best: Willeford's preferred title for the book was Until I Am Dead. Its bleak vision of life beyond the edge is haunted by rape, racism, alcoholism, suicide, and inescapable poverty, yet shot through with a tenderness and compassion sustained against all odds in a society offering few breaks to its outcasts and misfits.
Pick-Up's many twists and violent turns culminate in an ending that continues to surprise, confirming it as what critic Woody Haut has called "a razor-sharp narrative that rips open the genre."
This underground classic of hard-boiled noir fiction follows two addiction-addled drifters as they struggle to make ends meet in the streets of 1950s California First published as an unheralded paperback original, Pick-Up is an authentic underground classic, an explosive bulletin from the urban underbelly of mid-1950s America. It was Charles Willeford's second novel, after a rough and wandering earlier life that had taken him from Depression-era hobo camps and soup kitchens to wartime battlefields.
The unblinking story of two lost and self-destructive drifters-a failed painter working as a counterman in a cheap diner and a woman in flight from domestic violence-trying to find a place for themselves in the back streets of San Francisco, Pick-Up is hardboiled writing at its nihilistic best: Willeford's preferred title for the book was Until I Am Dead. Its bleak vision of life beyond the edge is haunted by rape, racism, alcoholism, suicide, and inescapable poverty, yet shot through with a tenderness and compassion sustained against all odds in a society offering few breaks to its outcasts and misfits.
Pick-Up's many twists and violent turns culminate in an ending that continues to surprise, confirming it as what critic Woody Haut has called "a razor-sharp narrative that rips open the genre."
The unblinking story of two lost and self-destructive drifters-a failed painter working as a counterman in a cheap diner and a woman in flight from domestic violence-trying to find a place for themselves in the back streets of San Francisco, Pick-Up is hardboiled writing at its nihilistic best: Willeford's preferred title for the book was Until I Am Dead. Its bleak vision of life beyond the edge is haunted by rape, racism, alcoholism, suicide, and inescapable poverty, yet shot through with a tenderness and compassion sustained against all odds in a society offering few breaks to its outcasts and misfits.
Pick-Up's many twists and violent turns culminate in an ending that continues to surprise, confirming it as what critic Woody Haut has called "a razor-sharp narrative that rips open the genre."
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