Speaking of Buildings. Oral History in Architectural Research

Par : Janina Gosseye, Naomi Stead, Deborah Van der Plaat
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  • Nombre de pages320
  • PrésentationBroché
  • FormatGrand Format
  • Poids0.7 kg
  • Dimensions22,9 cm × 15,2 cm × 2,5 cm
  • ISBN978-1-61689-754-3
  • EAN9781616897543
  • Date de parution15/10/2019
  • ÉditeurPrinceton Architectural Press

Résumé

Architectural scholars tend to use texts, drawings, and photographs to craft their narratives. Oral testimony has rarely been taken seriously, and when it is, architects are given the platform to discuss buildings. However, there are others who can speak of architecture and tell their own stories of what it is like to construct, experience, and live within buildings. Speaking of Buildings examines how these other voices can be heard, revealing the radical potential of a research method that has historically been cast as subjective, inexpert, partial, and unreliable.
Essays by an international group of scholars look at varied aspects of oral history in architectural research, from workers' accounts of building with concrete in midcentury London to a sound art piece that embeds the oral testimony of Los Angeles public housing residents within site-specific ambient sound recordings. In sum, the authors call fora renewed form of listening to enrich our understanding of what buildings are, what they do, and what they mean to people.
Architectural scholars tend to use texts, drawings, and photographs to craft their narratives. Oral testimony has rarely been taken seriously, and when it is, architects are given the platform to discuss buildings. However, there are others who can speak of architecture and tell their own stories of what it is like to construct, experience, and live within buildings. Speaking of Buildings examines how these other voices can be heard, revealing the radical potential of a research method that has historically been cast as subjective, inexpert, partial, and unreliable.
Essays by an international group of scholars look at varied aspects of oral history in architectural research, from workers' accounts of building with concrete in midcentury London to a sound art piece that embeds the oral testimony of Los Angeles public housing residents within site-specific ambient sound recordings. In sum, the authors call fora renewed form of listening to enrich our understanding of what buildings are, what they do, and what they mean to people.