Herbsttag (Jour d'automne). pour chœur de jeunes filles (SSMezAA) a cappella sur un poème de Rainer Marie Rilke. girl's choir (SSMezAA) a cappella. Partition de chœur.
Par :Formats :
- Paiement en ligne :
- Livraison à domicile ou en point Mondial Relay indisponible
- Retrait Click and Collect en magasin gratuit
- Réservation en ligne avec paiement en magasin :
- Indisponible pour réserver et payer en magasin
- Nombre de pages12
- Poids0.037 kg
- Dimensions21,0 cm × 29,5 cm × 0,0 cm
- ISBN979-0-001-18889-0
- EAN9790001188890
- Date de parution01/01/2013
- CollectionSchott Chamber Choir
- ÉditeurSchott
Résumé
This six-minute madrigal setting was commissioned by the renowned Hanover Girls' Choir and composed on the basis of one of Rainer Maria Rilke's profound poems. It begins as a thanksgiving prayer : for the summer, for the autumn fruits. But the first winds bring along the fear of the cold and loneliness of winter : 'Whoever is alone now will remain so for a long time, will stay up, read, write long letters...
'. Peter Eötvös lets the poem unfold twice, each time in a different way, thus intensifying the reflection. The tonality is treated freely, and the choral setting extends the underlying five-part texture, in which the choir's soloists create striking echoes, up to eight-part passages. Instrumentation : girl's choir (SSMezAA) a cappella
'. Peter Eötvös lets the poem unfold twice, each time in a different way, thus intensifying the reflection. The tonality is treated freely, and the choral setting extends the underlying five-part texture, in which the choir's soloists create striking echoes, up to eight-part passages. Instrumentation : girl's choir (SSMezAA) a cappella
This six-minute madrigal setting was commissioned by the renowned Hanover Girls' Choir and composed on the basis of one of Rainer Maria Rilke's profound poems. It begins as a thanksgiving prayer : for the summer, for the autumn fruits. But the first winds bring along the fear of the cold and loneliness of winter : 'Whoever is alone now will remain so for a long time, will stay up, read, write long letters...
'. Peter Eötvös lets the poem unfold twice, each time in a different way, thus intensifying the reflection. The tonality is treated freely, and the choral setting extends the underlying five-part texture, in which the choir's soloists create striking echoes, up to eight-part passages. Instrumentation : girl's choir (SSMezAA) a cappella
'. Peter Eötvös lets the poem unfold twice, each time in a different way, thus intensifying the reflection. The tonality is treated freely, and the choral setting extends the underlying five-part texture, in which the choir's soloists create striking echoes, up to eight-part passages. Instrumentation : girl's choir (SSMezAA) a cappella
