Audio Culture. Readings in Modern Music
Par : ,Formats :
Définitivement indisponible
Cet article ne peut plus être commandé sur notre site (ouvrage épuisé ou plus commercialisé). Il se peut néanmoins que l'éditeur imprime une nouvelle édition de cet ouvrage à l'avenir. Nous vous invitons donc à revenir périodiquement sur notre site.
- Réservation en ligne avec paiement en magasin :
- Indisponible pour réserver et payer en magasin
- Nombre de pages646
- PrésentationBroché
- FormatGrand Format
- Poids1.113 kg
- Dimensions15,1 cm × 23,1 cm × 4,3 cm
- ISBN978-1-5013-1836-8
- EAN9781501318368
- Date de parution27/07/2017
- ÉditeurBloomsbury Academic
Résumé
The groundbreaking Audio Culture : Readings in Modem Music maps the aural and discursive terrain of vanguard music today, highlighting the various rewirings of musical composition and performance that have taken place over the past few decades. The book explores the interconnections among such forms as minimalism, indeterminacy, musique concrete, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers.
This revised and expanded edition of Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. It includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amocher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others.
Each essay has its own short introduction, helping readers place essays within musical, historical, and conceptual contexts. The volume concludes with a glossary, a timeline, and an extensive discography.
This revised and expanded edition of Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. It includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amocher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others.
Each essay has its own short introduction, helping readers place essays within musical, historical, and conceptual contexts. The volume concludes with a glossary, a timeline, and an extensive discography.
The groundbreaking Audio Culture : Readings in Modem Music maps the aural and discursive terrain of vanguard music today, highlighting the various rewirings of musical composition and performance that have taken place over the past few decades. The book explores the interconnections among such forms as minimalism, indeterminacy, musique concrete, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers.
This revised and expanded edition of Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. It includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amocher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others.
Each essay has its own short introduction, helping readers place essays within musical, historical, and conceptual contexts. The volume concludes with a glossary, a timeline, and an extensive discography.
This revised and expanded edition of Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. It includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amocher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others.
Each essay has its own short introduction, helping readers place essays within musical, historical, and conceptual contexts. The volume concludes with a glossary, a timeline, and an extensive discography.