The State Funding Programme for Haute Couture in Paris - Defending and Promoting a Tradition (1952-1960)
Par :Formats :
Disponible dans votre compte client Decitre ou Furet du Nord dès validation de votre commande. Le format PDF est :
- Compatible avec une lecture sur My Vivlio (smartphone, tablette, ordinateur)
- Compatible avec une lecture sur liseuses Vivlio
- Pour les liseuses autres que Vivlio, vous devez utiliser le logiciel Adobe Digital Edition. Non compatible avec la lecture sur les liseuses Kindle, Remarkable et Sony
, qui est-ce ?Notre partenaire de plateforme de lecture numérique où vous retrouverez l'ensemble de vos ebooks gratuitement
Pour en savoir plus sur nos ebooks, consultez notre aide en ligne ici
C'est si simple ! Lisez votre ebook avec l'app Vivlio sur votre tablette, mobile ou ordinateur :
- FormatPDF
- ISBN978-88-6774-321-6
- EAN9788867743216
- Date de parution18/03/2019
- Protection num.Digital Watermarking
- Taille4 Mo
- Infos supplémentairespdf
- ÉditeurBruno Mondadori
Résumé
Equally Gianluigi Di Giangirolamo's essay enquires, via an analysis
of the archival sources kept at the French Ministry of Finance
and the French Economy's Centre des Archives Économique et Financiers, into action designed to support Parisian haute couture after World War Two. It is specifically the couture-création assistance plan launched by the government from 1952 to 1960 which is examined, a plan co-ordinated by Chambre Syndicale de la Couture Parisienne (Chambre Syndicale) during the period which might be considered French fashion's first crisis.
It was a system of public and private help designed and drawn up to safeguard Parisian' couture's creativity and safeguard its constituent and characteristic elements and, in the first place, the specialised workforce. The unique characteristics which enabled original models to be created every season, international fashion's source of inspiration.
It was a system of public and private help designed and drawn up to safeguard Parisian' couture's creativity and safeguard its constituent and characteristic elements and, in the first place, the specialised workforce. The unique characteristics which enabled original models to be created every season, international fashion's source of inspiration.
Equally Gianluigi Di Giangirolamo's essay enquires, via an analysis
of the archival sources kept at the French Ministry of Finance
and the French Economy's Centre des Archives Économique et Financiers, into action designed to support Parisian haute couture after World War Two. It is specifically the couture-création assistance plan launched by the government from 1952 to 1960 which is examined, a plan co-ordinated by Chambre Syndicale de la Couture Parisienne (Chambre Syndicale) during the period which might be considered French fashion's first crisis.
It was a system of public and private help designed and drawn up to safeguard Parisian' couture's creativity and safeguard its constituent and characteristic elements and, in the first place, the specialised workforce. The unique characteristics which enabled original models to be created every season, international fashion's source of inspiration.
It was a system of public and private help designed and drawn up to safeguard Parisian' couture's creativity and safeguard its constituent and characteristic elements and, in the first place, the specialised workforce. The unique characteristics which enabled original models to be created every season, international fashion's source of inspiration.
