Rentrée d'hiver 2021 : Le démon de la colline aux loups
Enorme coup de cœur pour ce premier roman!
Terriblement envoutant, "Le Démon de la colline aux loups" est une petite pépite à la langue particulière - follement immersive, et dont les pages se tournent à grande vitesse pour nous faire vibrer d'émotions diverses dans une urgence palpable.
Non, franchement, c'est très beau.
In the mid-typos Olafur Eliasson emerged onto the international art scene with striking installations involving projected light and recreations of natural...
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Résumé
In the mid-typos Olafur Eliasson emerged onto the international art scene with striking installations involving projected light and recreations of natural phenomena. Over the following years he exhibited his work around the world, and in 2003 conceived The weather project for Tate Modern's Turbine Hall. 'The Sun, as it came to be known, attracted hundreds of thousands of visitors and became the defining statement of his interest in shared experience. Since then Eliasson has continued to develop his interests in perception and participation. He has invented a new model of art practice by initiating collaborations with choreographers, scientists, politicians, chefs, activists and architects. While motion, light, colour and geometry remain at the core of his practice, his work also addresses migraban, climate change and solar energy.
Published to accompany the first major UK exhibition of Eliasson's work, this book features an essay by Tate Modern curator Mark Godfrey, as well as eighteen conversations between the artist and a remarkably varied range of people working both inside and outside the arts - from the fields of economics, anthropology, sustainability, migration, political science and biology to architecture and urbanism, education, dance, music and food - providing an insight into the way Eliasson and his studio gage with the world today.
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