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Jürg Lehni et Alex Rich - News.
The Speed-i-Jet, a mobile pen-printer manufactured by Reiner (Germany), is a device built around an industrial inkjet cartridge / printing head. With... Lire la suite
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Résumé

The Speed-i-Jet, a mobile pen-printer manufactured by Reiner (Germany), is a device built around an industrial inkjet cartridge / printing head. With its clumsy user interface and 30 character maximum capacity, this charming parasitical product prompted the discussion of possible uses for such a device. Together with the curatorial staff of the institution, daily news headlines were selected and transferred onto the devices.
Holding and moving the device like a pen, visitors could experience the writing of texts to which the author is ambiguous. The headlines were collected during Things to Say at Kunst Halle Sankt Gallen, Switzerland, 2009.

Caractéristiques

  • Date de parution
    01/09/2011
  • Editeur
  • ISBN
    978-3-905714-94-4
  • EAN
    9783905714944
  • Présentation
    Broché
  • Nb. de pages
    24 pages
  • Poids
    0.001 Kg
  • Dimensions
    19,5 cm × 25,5 cm × 0,1 cm

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L'éditeur en parle

Livre d'artistes : une série d'œuvres réalisées avec un stylo-imprimante mobile.

À propos des auteurs

Jürg Lehni (born 1978 in Lucerne, lives and works in London) is an independent designer, developer and artist. His self-initiated work originates from reflections about tools, the computer and the way we work with and adapt to technology. Over the past years he worked on a family of projects that are all linked through these topics. Most of these projects were collaborations with people from other backgrounds (Graphic designers, artists, typgoraphers and engineers).
Alex Rich (born 1977 in Caerphilly, lives and works in London) approaches design from a multi-disciplinary perspective. As a member of the jury that judged Jürg Lehni's ECAL degree show in 2002, and seeing one of Lehni's drawing machines at work, Rich - a deft observer of accidental meaning - opened a discussion with the designer about the machine's historical and cultural context. Alex Rich viewed the work as, "the translation of imagery from mind to machine to wall," and suggested assembling, for an exhibition, compilations with similar writing and drawing machines.

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