Nouveauté
The Thirteenth Vigil A Night Office Thriller
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- FormatePub
- ISBN8231335602
- EAN9798231335602
- Date de parution25/10/2025
- Protection num.pas de protection
- Infos supplémentairesepub
- ÉditeurWalzone Press
Résumé
In a Romanesque abbey in northern Spain, an Orthodox conservator from Belgrade, Masha Ilich, is called to examine a set of antiphonaries and a rumor: a tone that appears only when chant is kept under strict discipline. One book remains in the abbey; a third has surfaced in a municipal basement; the second is missing-or misfiled-and the margins of the first carry the trace of someone who once moved a beginning and left a warning: the thirteenth vigil not to be sung.
As Ordo Lucernae pushes spectacle and public pressure, the abbey answers with refusal-signs low and left, a misaligned chair that breaks crowds into people, soup instead of speeches. A quiet counter-movement, the Stitchers, uses humor, presence, and timing to keep wonder from becoming product. Masha must decide what to preserve: paper, breath, or the right not to perform. The Thirteenth Vigil is a slow-burn literary mystery and religious thriller about consent, attention, and the ethics of wonder-where the hinge is not power, but refusal.
Readers who love precise atmosphere, craft, and moral stakes-think The Name of the Rose without the chase scenes-will find a world of stone, air, and song that refuses to be photographed.
As Ordo Lucernae pushes spectacle and public pressure, the abbey answers with refusal-signs low and left, a misaligned chair that breaks crowds into people, soup instead of speeches. A quiet counter-movement, the Stitchers, uses humor, presence, and timing to keep wonder from becoming product. Masha must decide what to preserve: paper, breath, or the right not to perform. The Thirteenth Vigil is a slow-burn literary mystery and religious thriller about consent, attention, and the ethics of wonder-where the hinge is not power, but refusal.
Readers who love precise atmosphere, craft, and moral stakes-think The Name of the Rose without the chase scenes-will find a world of stone, air, and song that refuses to be photographed.
In a Romanesque abbey in northern Spain, an Orthodox conservator from Belgrade, Masha Ilich, is called to examine a set of antiphonaries and a rumor: a tone that appears only when chant is kept under strict discipline. One book remains in the abbey; a third has surfaced in a municipal basement; the second is missing-or misfiled-and the margins of the first carry the trace of someone who once moved a beginning and left a warning: the thirteenth vigil not to be sung.
As Ordo Lucernae pushes spectacle and public pressure, the abbey answers with refusal-signs low and left, a misaligned chair that breaks crowds into people, soup instead of speeches. A quiet counter-movement, the Stitchers, uses humor, presence, and timing to keep wonder from becoming product. Masha must decide what to preserve: paper, breath, or the right not to perform. The Thirteenth Vigil is a slow-burn literary mystery and religious thriller about consent, attention, and the ethics of wonder-where the hinge is not power, but refusal.
Readers who love precise atmosphere, craft, and moral stakes-think The Name of the Rose without the chase scenes-will find a world of stone, air, and song that refuses to be photographed.
As Ordo Lucernae pushes spectacle and public pressure, the abbey answers with refusal-signs low and left, a misaligned chair that breaks crowds into people, soup instead of speeches. A quiet counter-movement, the Stitchers, uses humor, presence, and timing to keep wonder from becoming product. Masha must decide what to preserve: paper, breath, or the right not to perform. The Thirteenth Vigil is a slow-burn literary mystery and religious thriller about consent, attention, and the ethics of wonder-where the hinge is not power, but refusal.
Readers who love precise atmosphere, craft, and moral stakes-think The Name of the Rose without the chase scenes-will find a world of stone, air, and song that refuses to be photographed.






















