The McCarthy Collection - Volume 1, Italian and Byzantine Miniatures - Beau Livre

Edition en anglais

Gaudenz Freuler

Georgi Parpulov

(Contributeur)

,

Robert McCarthy

(Préfacier)

Note moyenne 
Gaudenz Freuler - The McCarthy Collection - Volume 1, Italian and Byzantine Miniatures.
THE MCCARTHY COLLECTION presents a panorama of the sophisticated art called, to use Dante's words, "illumination" (quell'arte ch'alluminar chiamata è... Lire la suite
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Résumé

THE MCCARTHY COLLECTION presents a panorama of the sophisticated art called, to use Dante's words, "illumination" (quell'arte ch'alluminar chiamata è in Parisi ; Purgatorio, XI, 79-80). Documenting for the first time this important and hitherto unknown collection, the present volume is dedicated to the holdings of single leaves and cuttings from medieval Italian manuscripts from the late 9th to the mid 15th centuries, and includes several important and rare Byzantine items.
This lavishly illustrated catalogue, incorporating a wide range of comparative material, introduces new research on many of the leaves and their parent volumes and constitutes a notable contribution to the scholarship of late medieval Italian illumination. Among other developments the rich holdings of late 13th- and early 14th-century illumination in the collection demonstrate, fascinatingly, the propagation of the new painting evolved by Giotto.
Robert McCarthy's passion for the medieval and early Gothic world is also apparent in his holdings of English and French illumination, discussed in a second volume (forthcoming 2019).

Caractéristiques

  • Date de parution
    11/01/2019
  • Editeur
  • ISBN
    978-1-912168-07-1
  • EAN
    9781912168071
  • Format
    Beau Livre
  • Présentation
    Relié
  • Nb. de pages
    288 pages
  • Poids
    1.71 Kg
  • Dimensions
    25,0 cm × 30,8 cm × 3,0 cm

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À propos de l'auteur

Biographie de Gaudenz Freuler

GAUDENZ FREULER is Professor Emeritus, University of Zurich, Switzerland, where he lectured in Art History from 1994 to 2014. His earlier career was devoted to 14th-century Sienese painting, with work on Biagio di Goro Ghezzi, whom he rescued from oblivion, and an important publication on Bartolo di Fredi (1994). He contributed volume IV/VII, 2, to the Corpus of Florentine Painting (1997), dedicated to the Florentine painter and illuminator Don Silvestro dei Gherarducci.
Besides his numerous publications and his teaching he has co-curated several exhibitions in Italy and America. Since the 1990s he has concentrated especially on manuscript illumination, producing notably (with Ada Labriola and Cristina De Benedictis) La miniatura senese 1270-1420 (2002) and the catalogue in two volumes of an important Milanese private collection, Italian Miniatures from the Twelfth to the Sixteenth Centuries (2013).
His recent research and publications have ranged further afield in Italian art, to Pinturicchio and to Vittoria Colonna. GEORGI PARPULOV studied History at the University of Sofia and Art History at the University of Chicago. He has taught at the University of Oxford, has undertaken curatorial work at the Walters Art Museum and the British Museum, and has written Toward a History of Byzantine Psalters (2014).

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