Catel et Bocquet retracent le destin de la fascinante Joséphine Baker dans un magnifique roman (bio)graphique tout en noir et blanc. En 500 pages, les auteurs nous dévoilent toutes les facettes de cette femme emplie de convictions : muse de nombreux artistes, militante contre la ségrégation raciale, agent du contre-espionnage de la France Libre, mère adoptive d’une douzaine d’enfants venus d’horizons divers… elle était décidément bien plus qu’une danseuse de cabaret affublée d’une ceinture de bananes...
Jackie has a map of the city on the wall of her bedroom, with a green pin for each of her trees. She has a first-kiss tree and a broken-arm tree. She has a car-accident tree. There is a tree at the hospital where Jackie's mother passed away into the long good night. When one of them gets cut down, Jackie doesn't know what to do but she doesn't let that stop her. She picks up the biggest rock she can carry and puts it through the window of a car. Smash. She intends to leave before the police arrive, but they're early.
Ann is Jackie's best friend, but she's got problems of her own. Her mother is chained up in the basement. How do you bring that up in casual conversation? "Oh, sorry I've been so distant, Jackie. My mother has more teeth than she's supposed to, and she won't eat anything that's already dead." Ann and her sister Margaret don't have much of a choice here. Their mother needs to be fed. It isn't easy but this is family. It's not supposed to be easy. It'll be okay as long as Margaret and Ann still have each other.
Add in a cantankerous old man, his powerfully stupid dog, a headless ghost, a lesbian crush and a few unsettling visits from Jackie's own dead mother, and you'll find that One Bloody Thing After Another is a different sort of horror novel from the ones you're used to. It's as sad and funny as it is frightening, and it is as much about the way families rely on each other as it is about blood being drooled on the carpet. Though, to be honest, there is a lot of blood being drooled on the carpet.