2050, Paris n'est plus qu'un torrent de violences, le terrain de jeu de fanatiques déchus. L'air n'est plus respirable. Les hologrammes ont remplacé les hommes. Le travail n'est plus que le privilège de quelques-uns. Sous l'hégémonie de Dame Consommation, il est devenu interdit de fabriquer et réparer.
Ce livre est un signal d'alerte. Il est futuriste sans être fantaisiste. Un livre terrifiant de vérités aux premières pages et saisissant d'espoir aux dernières. Un très beau roman d'anticipation, empli d'humanité. Un bel appel au vivre ensemble et au retour à l'autosuffisance.
Eleven-year-old Maya Devine has grown up with a warped view of reality.
For one, she sees colour around people's bodies and can sometimes hear
what's going on inside their heads. These insights make everyone a bit
more interesting, but the one person she'll never figure out is her mother.
Marigold has never been like other moms, but still, Maya sometimes feels
like she is all she has.
When Marigold is diagnosed with cancer and vows to spend her final days in the teepee she's set up in the backyard, Maya's life quickly becomes unbearable. Neighbours and strangers, believing Marigold a prophet, camp out in the front yard, and Maya's father grows ever more distant. Thankfully Maya has Corey Hart, from whose pouty lips "Never Surrender" seems to issue for her and her alone. But Marigold's death leaves questions unanswered, and there are some wrongs that even Corey Hart can't right.
Moving from mid-1980s Saskatoon to the Indian countryside almost a decade later, Girl in Shades follows Maya's search for her mother, her father, and above all, herself. Sweetly funny and deeply perceptive, Girl in
Shades offers a fresh take on what it is to grow up and discover who you