Ce livre est la transition parfaite entre la saga Harry Potter et la trilogie des Magiciens. [...] En plus de tout ça, on trouve, en vrac : des références culturelles géniales, l'utilisation de la technologie par les sorciers, une guerre inter-espèces, la lutte contre le sexisme, des super-héros discrets, quelques insultes bien envoyées [...] un roman one-shot à lire absolument pour tous ceux qui aiment la magie, les histoires de grands ados (les héros sont majeurs) et, ok, les histoires d'amour un peu.
For Ishmael Reed, Barack Obama, like Michelangelo's St. Anthony, is a tormented man, haunted by modern reincarnations of the demonic spirits used to break slaves. These were the "Nigger Breakers"-men like Edward Covey, who was handed the job of breaking Frederick Douglass. "Isn't it ironic, " writes Reed: "A media that scolded the Jim Crow South in the 1960s now finds itself hosting the bird." In this collection, which includes several unpublished essays, Ishmael Reed brings to bear his grasp of the four-centuries-long African-American experience as he turns his penetrating gaze on Barack Obama's election and first year in power-establishing himself as the conscience of a country that was once moved by Martin Luther King's dream.
Ishmael Reed is the author of novels, books of poetry, and plays. He is also a playwright. He has won prizes in all categories. He taught at the University of California at Berkeley for thirty-five years. He has also has taught at Harvard, Yale and Dartmouth. Ishmael Reed is a member of Harvard's Signet Society and Yale's Calhoun Society. He lives in Oakland, California.