Minimalism - Grand Format

Edition en anglais

James Meyer

Note moyenne 
The term Minimalism was coined in the 1960s to describe the work of a group of Américan artists, including Carl Andre, Dan Flavin, Donald Judd and Sol... Lire la suite
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Résumé

The term Minimalism was coined in the 1960s to describe the work of a group of Américan artists, including Carl Andre, Dan Flavin, Donald Judd and Sol LeWitt, who were creating a new kind of abstract art. Inspired by mathematics and industrial processes, the Minimalists created geometric works whose simple forms produced sophisticated explorations of seriality, harmony and space. In addition to providing an accessible introduction to the works, this book documents the careers of Minimalism's leading figures, as well as the practices of artists who were associated with the movement, among them the sculptors Larry Bell, Eva Hesse, John McCracken, Robert Morris and Anne Truitt, and the painters Jo Baer, Robert Mangold, Brice Marden, Agnes Martin, Robert Ryman and Frank Stella.
An authority on Minimal and American art of the 1960s, James Meyer presents in this volume the most comprehensive and definitive sourcebook on Minimalism available.

Caractéristiques

  • Date de parution
    01/06/2010
  • Editeur
  • ISBN
    978-0-7148-5653-7
  • EAN
    9780714856537
  • Format
    Grand Format
  • Présentation
    Broché
  • Nb. de pages
    205 pages
  • Poids
    0.985 Kg
  • Dimensions
    25,0 cm × 29,0 cm × 1,5 cm

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À propos de l'auteur

Biographie de James Meyer

James Meyer is Associate Professor of Contemporary Art and Criticism at Emory University, Atlanta, Georgia. He is internationally recognized as one of the leading authorities on Minimal art, American art of the 1960s and contemporary forms of institutional critique. Meyer has written extensively on the Minimal artists, including publications on Carl Andre, Donald Judd, Dan Flavin, Sol LeWitt and Jo Baer.
A regular contributor to Artforum, he has published catalogue essays on Mel Bochner, Ellsworth Kelly, Mark Dion, Christian Philipp Müller, Andrea Fraser and Renée Green. His publications include "The Writing of Art and Objecthood" in Refracting Vision : A Critical Anthology on the Writings of Michael Fried (Power Institute of Fine Arts, University of Sydney, 2000) and Minimalism : Art and Polemics in the Sixties (Yale University Press, 2000).

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